INTRO

Abicio.” In Wiktionary. Accessed October 4, 2017.

Aoyagi, Hiroshi, and Shu Min Yuen. “When Erotic Meets Cute: Erokawa and the Public Expression of Female Sexuality in Contemporary Japan.” Text, April 1, 2016.

Art on Trial: Obscenity and Art: Nudity.” Accessed April 21, 2019.

Arya, Rina. Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature. Palgrave Macmillan, 2014.

Ashcraft, Brian. “This Isn’t Kawaii. It’s Disturbing.” Kotaku, August 23, 2012.

Baseel, Casey. “Japan’s Unbelievably Buff Muscle Idol Shares Workout Videos, Performs Wicked Clothesline.” SoraNews24, May 9, 2019.

Bataille, Georges. Visions Of Excess: Selected Writings, 1927-1939. Edited by Allan Stoekl. Minneapolis: University of Minnesota Press, 1985.

Berlant, Lauren. Cruel Optimism. Durham, NC: Duke University Press Books, 2011.

Botting, Fred. “Dark Materialism.” Backdoor Broadcasting Company, 2011.

Bowry, Stephanie. “Before Museums: The Curiosity Cabinet as Metamorphe.” Museological Review 18 (January 1, 2014): 30–42.

Boyer, Ernest L. Scholarship Reconsidered: Priorities of the Professoriate. Princeton, NJ: Jossey-Bass, 1997.

Brienza, Casey. “Manga without Japan?” In Global Manga: “Japanese” Comics without Japan?, edited by Casey Brienza, 1–21, 2015.

Cheok, Adrian David. Art and Technology of Entertainment Computing and Communication. London; New York: Springer, 2010.

———. “Kawaii: Cute Interactive Media.” In Imagery in the 21st Century, edited by Oliver Grau and Thomas Veigl, 245–67. Cambridge, Mass: The MIT Press, 2011.

Clark, John R. The Modern Satiric Grotesque and Its Traditions. Lexington, Ky: University Press of Kentucky, 1991.

Clulow, Adam. The Company and the Shogun: The Dutch Encounter with Tokugawa Japan. Columbia University Press, 2016.

Comic Market Committee. “What Is the Comic Market?”, 2014.

Cross, Gary. The Cute and the Cool: Wondrous Innocence and Modern American Children’s Culture. Oxford; New York: Oxford University Press, 2004.

Dale, Joshua Paul. “Cute Studies: An Emerging Field.” East Asian Journal of Popular Culture, Volume 2, Number 1, 1 April 2016, pp. 5-13(9).

———. “The Appeal of the Cute Object: Desire, Domestication, and Agency.” In The Aesthetics and Affects of Cuteness, edited by Joshua Paul Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, 35–55. New York: Routledge, 2016.

Dale, Joshua Paul, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, eds. The Aesthetics and Affects of Cuteness. New York: Routledge, 2016.

Deleuze, Gilles, and Felix Guattari. Anti-Oedipus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press, 1983.

Diogo, Maria Paula, and Dirk van Laak. Europeans Globalizing: Mapping, Exploiting, Exchanging. London: Palgrave Macmillan, 2016.

Dower, John W. Embracing Defeat: Japan in the Wake of World War II. New York: W. W. Norton & Company, 2000.

Drabble, Margaret, ed. The Oxford Companion to English Literature. New York: Oxford University Press, 2000.

Ehrlich, David. “From Kewpies to Minions: A Brief History of Pop Culture Cuteness.” Rolling Stone, July 21, 2015.

Favell, Adrian. “Aida Makoto: Notes from an Apathetic Continent.” In Introducing Japanese Popular Culture, edited by Alisa Freedman and Toby Slade. Abingdon, Oxon ; New York, NY: Routledge, 2017.

———. Before and after Superflat: A Short History of Japanese Contemporary Art, 1990-2011. Hong Kong: Blue Kingfisher, 2011.

Fisher, Mark. The Weird and the Eerie. London: Repeater, 2017.

Foster, Hal, Benjamin Buchloh, Rosalind Krauss, Yve-Alain Bois, Denis Hollier, and Helen Molesworth. “The Politics of the Signifier II: A Conversation on the ‘Informe’ and the Abject.” October 67 (1994): 3–21.

Freedman, Alisa, and Toby Slade. “Introducing Japanese Culture: Serious Approaches to Playful Delights.” In Introducing Japanese Popular Culture, edited by Alisa Freedman and Toby Slade. Abingdon, Oxon ; New York, NY: Routledge, 2017.

Galbraith, Patrick W. “Lolicon: The Reality of ‘Virtual Child Pornography’ in Japan.” Image and Narrative : Online Magazine of the Visual Narrative 12, no. 1 (March 1, 2011): 83–119.

———. The Otaku Encyclopedia: An Insider’s Guide to the Subculture of Cool Japan. Kodansha USA, 2009.

GARAGEMCA. Transculturation, Cultural Inter-Nationalism and beyond. A Lecture by Koichi Iwabuchi at Garage. YouTube video. Moscow: Garage Museum of Contemporary Art, 2018.

Garger, Ilya. “Global Psyche: One Nation Under Cute.” Psychology Today, March 1, 2017.

Gordon, Andrew. A Modern History of Japan: From Tokugawa Times to the Present, 2nd Edition. New York: Oxford University Press, 2008.

Hanamura, Eico. Eico Hanamura. Interview by Manami Okazaki and Geoff Johnson. Book section of Kawaii!! Japan’s Culture of Cute, 2013.

Harootunian, Harry. “Japan’s Long Postwar: The Trick of Memory and the Ruse of History.” In Japan After Japan: Social and Cultural Life from the Recessionary 1990s to the Present, edited by Tomiko Yoda and Harry Harootunian, 98–121. Durham: Duke University Press Books, 2006.

Hartley, Barbara. “Performing the Nation: Magazine Images of Women and Girls in the Illustrations of Takabatake Kashō, 1925–1937.” Intersections: Gender and Sexuality in Asia and the Pacific, no. 16 (March 2008).

Holmberg, Ryan. “Matsumoto Katsuji and the American Roots of Kawaii.” The Comics Journal (blog), April 7, 2014.

———. “Matsumoto Katsuji: Modern Tomboys and Early Shojo Manga.” In Women’s Manga in Asia and Beyond: Uniting Different Cultures and Identities, edited by Fusami Ogi, Rebecca Suter, Kazumi Nagaike, and John A. Lent, 199–226. Palgrave Macmillan, 2019.

Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington: Indiana University Press, 1987.

———. “High/Low in an Expanded Field.” Modernism/Modernity 9, no. 3 (September 1, 2002): 363–74.

Ivy, Marilyn. “Critical Texts, Mass Artifacts: The Consumption of Knowledge in Postmodern Japan.” In Postmodernism and Japan, edited by Masao Miyoshi and Harry Harootunian, 21–46. Durham: Duke University Press Books, 1989.

———. Discourses of the Vanishing: Modernity, Phantasm, Japan. 1 edition. Chicago: University Of Chicago Press, 1995.

———. “Revenge and Recapitation in Recessionary Japan.” In Japan After Japan: Social and Cultural Life from the Recessionary 1990s to the Present, edited by Tomiko Yoda and Harry Harootunian, 195–215. Durham: Duke University Press Books, 2006.

Iwabuchi, Koichi. “Complicit Exoticism: Japan and Its Other.” Continuum 8, no. 2 (January 1, 1994): 49–82.

Jansen, Gregor, Takashi Murakami, Jun Hasegawa, Hiropon, Shintaro Miyake, Aya Takano, Yoshitomo Nara, and Axel Heil. The Japanese Experience: Inevitable. Edited by Margrit Brehm. Ostfildern-Ruit, Germany : New York, N.Y: Hatje Cantz Publishers, 2003.

Johnson, M. J. “A Brief History of Yaoi.” Sequential Tart. Accessed October 15, 2017.

Katsuji Matsumoto.” The Manga (blog), January 15, 2015.

Katsuji Matsumoto.” In Wikipedia, August 14, 2018.

Kelly, William W. “Finding a Place in Metropolitan Japan: Ideologies, Institutions, and Everyday Life.” In Postwar Japan as History, edited by Andrew Gordon, 189--258. Berkeley, Calif.: University of California Press, 1993.

Kinsella, Sharon. Adult Manga: Culture and Power in Contemporary Japanese Society. Richmond, Surrey: Routledge, 2000.

———. “Cuties in Japan.” In Women, Media, and Consumption in Japan, edited by Lise Skov and Brian Moeran, 220–54. Honolulu: University of Hawaii Press, 1996.

Kojève, Alexandre. Introduction to the Reading of Hegel: Lectures on the Phenomenology of Spirit. Edited by Allan Bloom. Translated by James H. Nichols. Ithaca, N.Y: Cornell University Press, 1980.

Kolnai, Aurel. On Disgust. Edited by Barry Smith and Carolyn Korsmeyer. Chicago: Open Court, 2004.

Krauss, Rosalind E., and Yve-Alain Bois. Formless: A User’s Guide by Yve-Alain Bois. New York: Zone Books, 1997.

Kristeva, Julia. Powers of Horror: An Essay on Abjection. Translated by Leon S. Roudiez. New York: Columbia University Press, 1982.

LaBelle, Brandon. Sonic Agency: Sound and Emergent Forms of Resistance. London: Goldsmiths Press, 2018.

Laforteza, Elaine M. “Cute-Ifying Disability: Lil Bub, the Celebrity Cat.” M/C Journal 17, no. 2 (February 18, 2014).

Lamarre, Thomas. “Introduction.” In Mechademia 6: User Enhanced, edited by Frenchy Lunning, ix–xvi. Minneapolis, Minn.: University of Minnesota Press, 2011.

Legge, Elizabeth. “When Awe Turns to Awww... Jeff Koon’s Balloon Dog and the Cute Sublime.” In The Aesthetics and Affects of Cuteness, edited by Joshua Paul Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, 130–50. New York: Routledge, 2016.

Long, Susan O. “The Society and Its Environment.” In Japan: A Country Study, edited by Ronald E. Dolan and Robert L. Worden, 69–128. Washington D.C.: United States Government Printing, 1991.

Marx, W. David. “Structure and Power (1983).” Néojaponisme, May 6, 2011.

Masuda, Nozomi. “Shojo Manga and Its Acceptance: What Is the Power of Shojo Manga.” In International Perspectives on Shojo and Shojo Manga: The Influence of Girl Culture, edited by Masami Toku, New York ; London: Routledge, 2015.

McCarthy, Helen, and Katsuhiro Otomo. The Art of Osamu Tezuka: God of Manga. New York: Harry N. Abrams, 2009.

Mey, Kerstin. Art and Obscenity. London; New York, NY: I.B.Tauris, 2007.

Michel, Patrick St. “The Rise of Japan’s Creepy-Cute Craze.” The Atlantic, April 14, 2014.

Miller, Jacques-Alain. “Extimité.” In Lacanian Theory of Discourse: Subject, Structure, and Society, edited by Mark Bracher, 74–87. New York: NYU Press, 1997.

Mitchell, Mark. “Japonisme, Japonaiserie and Chinoiserie.” The Art Blog by Mark Mitchell (blog), February 27, 2014.

Miyoshi, Masao, and Harry Harootunian. “Introduction.” In Postmodernism and Japan, edited by Masao Miyoshi and Harry Harootunian, vii–xix. Durham: Duke University Press Books, 1989.

Moe Anthropomorphism.” In Wikipedia, April 17, 2018.

Mori, M., K. F. MacDorman, and N. Kageki. “The Uncanny Valley [From the Field].” IEEE Robotics Automation Magazine 19, no. 2 (June 2012): 98–100.

Murakami, Takashi. “A Message:Laying the Foundation for a Japanese Art Market.” Kaikai Kiki Co., Ltd. Accessed October 12, 2017.

———. “All my works are made up of special effects.” Interview by Philippe Dagen. Book section of Murakami Versailles (Editions Xavier Barral), 2011.

———. Little Boy: The Art of Japan’s Exploding Subculture. New York; New Haven: Japan Society, Inc. / Yale University Press, 2005.

———. Superflat. Tokyo: Madora Shuppan, 2000.

Ngai, Sianne. “Our Aesthetic Categories.” PMLA 125, no. 4 (October 1, 2010): 948–58.

———. Our Aesthetic Categories: Zany, Cute, Interesting. London; Cambridge, Mass.: Harvard University Press, 2012.

———. “The Cuteness of the Avant‐Garde.” Critical Inquiry 31, no. 4 (2005): 811–47.

———. Ugly Feelings. New Ed edition. Harvard University Press, 2007.

Occhi, Debra. “Wobbly Aesthetics, Performance, and Message: Comparing Japanese Kyara with Their Anthropomorphic Forebears.” Asian Ethnology 71, no. 1 (2012): 109–32.

Oguma, Eiji. “Japan’s 1968: A Collective Reaction to Rapid Economic Growth in an Age of Turmoil.” Translated by Nick Kapur, Samuel Malissa, and Stephen Poland. The Asia-Pacific Journal, March 23, 2015.

One Step Beyond: The Making of “Alien: Resurrection.” Accessed April 24, 2019.

Parikka, Jussi. “New Materialism as Media Theory: Medianatures and Dirty Matter.” Communication and Critical/Cultural Studies 9, no. 1 (March 2012): 95–100.

PARO Therapeutic Robot.” Accessed April 24, 2019.

Pellitteri, Marco. The Dragon and the Dazzle: Models, Strategies, and Identities of Japanese Imagination: A European Perspective. John Libbey Publishing, 2011.

Phro, Preston. “Itami-Kawaii: Cute Gets Depressing, Inspires Japanese Twitter Users.” SoraNews24, February 24, 2015.

Piore, Adam. “Will Your Next Best Friend Be A Robot?Popular Science (blog), November 18, 2014.

Power, Natsu Onoda. God of Comics: Osamu Tezuka and the Creation of Post-World War II Manga. Jackson Miss.: University Press of Mississippi, 2009.

Royle, Nicholas. The Uncanny. Manchester: Manchester University Press, 2011.

Sample, Ian. “How Canines Capture Your Heart: Scientists Explain Puppy Dog Eyes.” The Guardian, June 17, 2019, sec. Science.

Schultz, Colin. “In Defense of the Blobfish: Why the ‘World’s Ugliest Animal’ Isn’t as Ugly as You Think It Is.” Smithsonian, September 13, 2013.

Serrels, Mark. “Why Women Want To Have Sex With Garrus.” Kotaku, March 27, 2017.

Shamoon, Deborah M. Passionate Friendship: The Aesthetics of Girl’s Culture in Japan. Honolulu: University of Hawaii Press, 2012.

Sharp, Kristen. “Superflatworlds : A Topography of Takashi Murakami and the Cultures of Superflat Art,” 2006.

Shayegan, Daryush. Cultural Schizophrenia: Islamic Societies Confronting the West. Syracuse, N.Y: Syracuse University Press, 1997.

Shigematsu, Setsu. “Dimensions of Desire: Sex, Fantasy, and Fetish in Japanese Comics.” In Themes and Issues in Asian Cartooning: Cute, Cheap, Mad, and Sexy, edited by John A. Lent, 1 edition., 127–63. Bowling Green, OH: Popular Press 1, 1999.

Shimbori, Michiya, T. Ban, K. Kono, H. Yamazaki, Y. Kano, M. Murakami, and T. Murakami. “Japanese Student Activism in the 1970s.Higher Education 9, no. 2 (March 1, 1980): 139–54.

Shiokawa, Kanako. “Cute but Deadly: Women and Violence in Japanese Comics.” In Themes and Issues in Asian Cartooning: Cute, Cheap, Mad, and Sexy, edited by John A. Lent, 1 edition., 93–126. Bowling Green, OH: Popular Press 1, 1999.

Silverberg, Miriam. Erotic Grotesque Nonsense: The Mass Culture of Japanese Modern Times. Berkeley: University of California Press, 2009.

Smith, Barry, and Carolyn Korsmeyer, eds. “Visceral Values: Aurel Kolnai on Disgust.” In On Disgust, 1–25. Chicago: Open Court, 2004.

Takahashi, Macoto. Macoto Takahashi. Interview by Manami Okazaki and Geoff Johnson. Book section of Kawaii!! Japan’s Culture of Cute, 2013.

TAKAHASHI Makoto.” Baka-Updates Manga. Accessed October 14, 2017.

The Kawaii Ambassadors (Ambassadors of Cuteness).” Web Japan, August 2009.

Thorn Rachel “Matt.” “Before the Forty-Niners.” rachel-matt-thorn-en, June 12, 2017.

———. “Introduction.” In The Heart of Thomas, 518–21. Seattle, Washington: Fantagraphics Books, 2013.

Thurston, Luke. “Ineluctable Nodalities: On the Borromean Knot.” In Key Concepts of Lacanian Theory, edited by Dany Nobus. New York: Other Press, 1998.

Vartanian, Hrag. “A Startling Choice, Lisa Frank Is Selected for the US Pavilion at the 2021 Venice Biennale.” Hyperallergic, April 1, 2019.

Vincent, J. Keith. “Making It Real: Ficiton, Desire, and the Queerness of the Beautiful Fighting Girl.” In Beautiful Fighting Girl. Minneapolis: University of Minnesota Press, 2011.

Wagenaar, Wester. “Wacky Japan: : A New Face of Orientalism.” Asia in Focus: A Nordic Journal on Asia by Early Career Researchers, no. 3 (2016): 46–54.

Wallach, Omri. “Yamikawaii — Japan’s Darker and Cuter Version of Emo.” Medium, March 6, 2017.

Welker, James. “A Brief History of Shonen’ai, Yaoi, and Boys Love.” In Boys Love Manga and Beyond: History, Culture, and Community in Japan, edited by Mark McLelland, Kazumi Nagaike, Katsuhiko Suganuma, and James Welker, 42–75. University Press of Mississippi, 2016.

What Is Obscenity Law? | Becoming an Obscenity Lawyer.” Accessed April 21, 2019.

Yano, Christine R. “Flipping Kitty: Transnational Transgressions of Japanese Cute.” In Medi@sia: Global Media/Tion in and Out of Context, edited by T. J. M. Holden and Timothy J. Scrase, London u.a.: Routledge, 2006.

Yee, Jonathan, and Eileen Kinsella. “Why Collectors Love Takashi Murakami, Part 2.” Artnet News, November 14, 2014.

Yoda, Tomiko. “A Roadmap to Millenial Japan.” In Japan After Japan: Social and Cultural Life from the Recessionary 1990s to the Present, edited by Tomiko Yoda and Harry Harootunian, 16–53. Durham: Duke University Press Books, 2006.

———. “The Rise and Fall of Maternal Society: Gender, Labor, and Capital in Contemporary Japan.” In Japan After Japan: Social and Cultural Life from the Recessionary 1990s to the Present, edited by Tomiko Yoda and Harry Harootunian, 239–74. Durham: Duke University Press Books, 2006.

顔映し.” In Wiktionary. Accessed August 30, 2017.


CODA

Agence France-Presse. “Using Cute Animals in Pop Culture Makes Public Think They’re Not EndangeredThe Guardian, April 13, 2018, sec. Environment.

Allison, Anne. “The Cultural Politics of Pokemon Capitalism,” January 1, 2002.

Barkham, Patrick. “‘Kill Them, Kill Them, Kill Them’: The Volunteer Army Plotting to Wipe out Britain’s Grey Squirrels.” The Guardian, June 2, 2017, sec. Environment.

Berlant, Lauren. Cruel Optimism. Durham, NC: Duke University Press Books, 2011.

Cross, Gary. The Cute and the Cool: Wondrous Innocence and Modern American Children’s Culture. Oxford ; New York: Oxford University Press, 2004.

Dale, Joshua Paul. “The Appeal of the Cute Object: Desire, Domestication, and Agency.” In The Aesthetics and Affects of Cuteness, edited by Joshua Paul Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, 35–55. New York: Routledge, 2016.

Dale, Joshua Paul, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, eds. The Aesthetics and Affects of Cuteness. New York: Routledge, 2016.

Deleuze, Gilles. Francis Bacon: The Logic of Sensation by Gilles Deleuze. London: Bloomsbury Academic, 2003.

Edelman, Lee. No Future: Queer Theory and the Death Drive. Durham: Duke University Press Books, 2004.

Foster, Hal, Benjamin Buchloh, Rosalind Krauss, Yve-Alain Bois, Denis Hollier, and Helen Molesworth. “The Politics of the Signifier II: A Conversation on the ‘Informe’ and the Abject.” October 67 (1994): 3–21.

Ivy, Marilyn. “The Art of Cute Little Things: Nara Yoshitomo’s Parapolitics.” Mechademia 5, no. 1 (November 10, 2010): 3–29.

Kao, Wan-Chuan, and Jen Boyle. “Introduction: The Time of the Child.” In The Retro-Futurism of Cuteness, edited by Jen Boyle and Wan-Chuan Kao, 13–26. New York: Punctum Books, 2017.

Krauss, Ellis S., Thomas P. Rohlen, and Patricia G. Steinhoff, eds. Conflict in Japan. Honolulu: University of Hawaii Press, 1984.

Kristeva, Julia. Powers of Horror: An Essay on Abjection. Translated by Leon S. Roudiez. New York: Columbia University Press, 1982.

Ngai, Sianne. “Our Aesthetic Categories.” PMLA 125, no. 4 (October 1, 2010): 948–58.

———. Our Aesthetic Categories: Zany, Cute, Interesting. London; Cambridge, Mass.: Harvard University Press, 2012.

———. “The Cuteness of the Avant‐Garde.” Critical Inquiry 31, no. 4 (2005): 811–47.

Saving or Harming the Planet with Plush Toys?Fur Commission USA. Accessed June 14, 2018.

“‘Survival of the Cutest’ Proves Darwin Right.” ScienceDaily, January 21, 2010.


ABSOLUTE BOYFRIEND

Bennett, Bo. “Appeal to Normality.” Logically Fallacious, November 24, 2014.

——— Logically Fallacious: The Ultimate Collection of Over 300 Logical Fallacies. eBookIt.com, 2012.

Galbraith, Patrick W. The Otaku Encyclopedia: An Insider’s Guide to the Subculture of Cool Japan. Kodansha USA, 2009.

Orbaugh, Sharalyn. “Sex and the Single Cyborg: Japanese Popular Culture Experiments in Subjectivity.” Science Fiction Studies 29, no. 3 (2002): 436–52.

Prince Charming.” TV Tropes, May 20, 2009.

Samman, Boris Ondreicka & Nadim. Rare Earth. Edited by Boris Ondreicka and Nadim Samman. Vienna: Sternberg Press, 2016.

Tyson, Lois. Critical Theory Today: A User-Friendly Guide. New York, NY: Routledge, 2006.

Vincent, J. Keith. “Making It Real: Ficiton, Desire, and the Queerness of the Beautiful Fighting Girl.” In Beautiful Fighting Girl. Minneapolis: University of Minnesota Press, 2011.

Watase, Yuu. Absolute Boyfriend, Vol. 1. 1 edition. San Francisco, CA: VIZ Media LLC, 2006.


(BETAMALE)

Andreatta, Davide. An Illustrated Guide of Capitalism. Eindhoven: Onamatopee, 2017.

Arkenberg, Megan. “Cuteness and Control in Portal.” In The Aesthetics and Affects of Cuteness, edited by Joshua Paul Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, 56–74. New York: Routledge, 2016.

Bataille, Georges. Visions Of Excess: Selected Writings, 1927-1939. Edited by Allan Stoekl. Minneapolis: University of Minnesota Press, 1985.

Battlestation.” Urban Dictionary, June 2, 2010.

Botting, Fred. “Dark Materialism.” Backdoor Broadcasting Company, 2011.

Dale, Joshua Paul. “Cute Studies: An Emerging Field.” East Asian Journal of Popular Culture, April 1, 2016.

Dewey, Caitlin. “Incels, 4chan and the Beta Uprising: Making Sense of One of the Internet’s Most-Reviled Subcultures.” Washington Post, October 7, 2015, sec. The Intersect.

Fisher, Mark. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Zero Books, 2014.

Galbraith, Patrick W., Thiam Huat Kam, and Björn-Ole Kamm. “Introduction: ‘Otaku’ Reserach: Past, Present and Future.” In Debating Otaku in Contemporary Japan: Historical Perspectives and New Horizons, edited by Patrick W. Galbraith, Thiam Huat Kam, and Björn-Ole Kamm, 1–18. London; New York: Bloomsbury Academic, 2015.

Haraway, Donna. “Anthropocene, Capitalocene, Plantationocene,  Chthulucene: Making Kin.” Environmental Humanities 6 (2015): 159–65.

Incel.” In Wikipedia, August 2, 2018.

Jenkins, Henry, Sam Ford, and Joshua Green. Spreadable Media: Creating Value and Meaning in a Networked Culture. New York ; London: NYU Press, 2013.

Kam, Thiam Huat. “‘Otaku’ as Label: Concerns over Productive Capacities in Contemporary Capitalist Japan.” In Debating Otaku in Contemporary Japan: Historical Perspectives and New Horizons, edited by Patrick W. Galbraith, Thiam Huat Kam, and Björn-Ole Kamm, 179-. London ; New York: Bloomsbury Academic, 2015.

Keen, Andrew. The Cult of the Amateur: How Blogs, MySpace, YouTube, and the Rest of Today’s User-Generated Media Are Destroying Our Economy, Our Culture, and Our Values. New York: Doubleday, 2008.

Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge, Mass.: MIT Press, 1986.

Krauss, Rosalind E., and Yve-Alain Bois. Formless: A User’s Guide by Yve-Alain Bois. New York: Zone Books, 1997.

Kristeva, Julia. Powers of Horror: An Essay on Abjection. Translated by Leon S. Roudiez. New York: Columbia University Press, 1982.

Legge, Elizabeth. “When Awe Turns to Awww... Jeff Koon’s Balloon Dog and the Cute Sublime.” In The Aesthetics and Affects of Cuteness, edited by Joshua Paul Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, 130–50. New York: Routledge, 2016.

Naziripour, Mariam. “How Furries Wound up in an Art Gallery in Chelsea.” Kill Screen, December 9, 2013.

Ngai, Sianne. Our Aesthetic Categories: Zany, Cute, Interesting. London; Cambridge, Mass.: Harvard University Press, 2012.

———. Ugly Feelings. Harvard University Press, 2007.

Otsa, Jamie. “Oneohtrix Point Never NSFW Still Life Betamale Video Banned From Youtube.” Glasswerk Magazine, September 25, 2013.

Parikka, Jussi. “New Materialism as Media Theory: Medianatures and Dirty Matter.” Communication and Critical/Cultural Studies 9, no. 1 (March 2012): 95–100.

———. The Anthrobscene. Univ Of Minnesota Press, 2014.

Rafman, Jon. Jon Rafman. Interview by Stephen Froese. Pin-Up: Magazine for Architectural Entertainment, Fall Winter 2013.

Reynolds, Simon. Retromania: Pop Culture’s Addiction to Its Own Past. London: Faber & Faber, 2012.

Sierra, Germán. “Filth as Non-Technology.” KEEP IT DIRTY a. (2016).

The Truth About Pepe the Frog.” Fantagraphics, October 6, 2016.

ulan-bator. Tumblr, October 29, 2013.

Voyer, Stephanie Mercier. “Swampy T. Fox Is a Quicksand Pornographer Who Specializes in Furries.” Vice, December 16, 2013.

Wall, Kim. “It’s Not about Sex, It’s about Identity: Why Furries Are Unique among Fan Cultures.” The Guardian, February 4, 2016, sec. Fashion.

Yaeger, Patricia. “Editor’s Column: The Death of Nature and the Apotheosis of Trash; or, Rubbish Ecology.” PMLA 123, no. 2 (March 1, 2008): 321–39.

Youde, Kate. “The Triumph of the Nerds: Geek Chic!The Independent, December 11, 2011.

Zhang, Gary Zhexy. “The Online Anthropologie of Jon Rafman.” Frieze: Contemporary Art and Culture, February 2016.


BLINGEE

Adorno, Theodor. Aesthetic Theory. London: Berg Pub Ltd, 2013.

Eler, Alicia, and Kate Durbin. “The Teen-Girl Tumblr Aesthetic.” Hyperallergic, March 1, 2013.

Chayka, Kyle. “An Introduction to the Early Web Aesthetics of Geocities.” Hyperallergic, February 14, 2013.

Kendall, Stuart. “Making More (of Waste).” In Georges Bataille and Contemporary Thought, edited by Will Stronge, 73–94. Bloomsbury Academic, 2019.

Krauss, Rosalind E., and Yve-Alain Bois. Formless: A User’s Guide by Yve-Alain Bois. New York: Zone Books, 1997.

Kuleshova, Irina. “I am a free woman now, I married Blingee.” Interview by Olia Lialina. One Terabyte of Kilobyte Age, September 14, 2015.

Marx, W. David. “The History of the Gyaru – Part Three.” Néojaponisme (blog), June 6, 2012.

McHugh, Molly. “Blingee Is Dead, Long Live Blingee.” WIRED, August 14, 2015.

Miller, Laura. “Expressive Energy in Female Self-Photography.” In Introducing Japanese Popular Culture, edited by Alisa Freedman and Toby Slade. Abingdon, Oxon ; New York, NY: Routledge, 2017.

MPVTOX. “Puking Rainbows.” Urban Dictionary, January 13, 2012.

Natali, Marcos. “History and the Politics of Nostalgia.” Iowa Journal of Cultural Studies 5, no. 1 (January 1, 2004): 10–25.

Noys, Benjamin. “Georges Bataille’s Base Materialism.” Cultural Values 2, no. 4 (October 1, 1998): 499–517.

Pan, Lu. Aestheticizing Public Space: Street Visual Politics in East Asian Cities. Bristol: Intellect, 2015.

Wilson, Mark. “RIP Blingee: Here Are The Best, Worst Blingees of All Time.” Fast Company (blog), August 19, 2015.


CGDCT

Arya, Rina. Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature. Palgrave Macmillan, 2014.

Asada, Akira. “Infantile Capitalism and Japan’s Postmodernism: A Fairy Tale.” In Postmodernism and Japan, edited by Masao Miyoshi and Harry Harootunian, translated by Kyoko Selden, 273–79. Durham: Duke University Press Books, 1989.

Azuma, Kiyohiko. Azumanga Daioh Volume 1. Houston, Tex.: ADV Manga, 2003.

Code, Lorraine, ed. Encyclopedia of Feminist Theories. London: Routledge, 2003.

Cook, Amelia. “Moé, Misogyny and Masculinity: Anime’s Cuteness Problem–and How to Fix It.” The Mary Sue, September 7, 2016.

Dale, Joshua Paul, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, eds. The Aesthetics and Affects of Cuteness. New York: Routledge, 2016.

Dill, Karen E. How Fantasy Becomes Reality: Seeing Through Media Influence. Oxford ; New York: Oxford University Press, 2009.

DukeWomenStudies. 2012 Sixth Annual Feminist Theory Workshop - Roundtable, 2012.

Floor-chan. “Japanese Mimetic Words: PuniPuni ぷにぷに.” PuniPuniJapan, October 12, 2014.

Frede, Dorothea. “Plato’s Ethics: An Overview.” In The Stanford Encyclopedia of Philosophy, edited by Edward N. Zalta, Winter 2016. Metaphysics Research Lab, Stanford University, 2016.

Freud, Sigmund. Beyond the Pleasure Principle. New York: W.W. Norton, 1961.

Galbraith, Patrick W. “‘'Otaku’ Research’ and Anxiety About Failed Men.” In Debating Otaku in Contemporary Japan: Historical Perspectives and New Horizons, edited by Patrick W. Galbraith, Thiam Huat Kam, and Björn-Ole Kamm, 1–34. London ; New York: Bloomsbury Academic, 2015.

Greenberg, Clement. “Avant-Gard and Kitsch.” Partisan Review 6, no. 5 (1939).

Igarashi, Mikio. Bonobono. Vol. 1. Bamboo Shobo, 1987.

Jones, Jonathan. “Do Damien Hirst’s Dots Really Matter?The Guardian, December 11, 2013, sec. Art and design.

Kishōtenketsu.” Using Narrative Structures. Accessed July 26, 2017.

Kobako, Totan. Sketch Book 1-12 Set. MagGarden, 2003.

Kotani, Mari. Memories of Youth: A Feminist Perspective on Otaku. Interview by Patrick W. Galbraith. Book section of The Moe Manifesto (Tuttle Publishing), 30-37, June 24, 2014.

Krauss, Rosalind. “Grids.” October 9 (1979): 51–64.

Legge, Elizabeth. “When Awe Turns to Awww... Jeff Koon’s Balloon Dog and the Cute Sublime.” In The Aesthetics and Affects of Cuteness, edited by Joshua Paul Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, 130–50. New York: Routledge, 2016.

Murakami, Takashi, Toshiki Okada, and Kaichiro Morikawa. “Otaku Talk.” In Little Boy: The Art of Japan’s Exploding Subculture, 165–85. New York; New Haven: Japan Society, Inc. / Yale University Press, 2005.

Ngai, Sianne. Ugly Feelings. Harvard University Press, 2007.

Occhi, Debra. “Wobbly Aesthetics, Performance, and Message: Comparing Japanese Kyara with Their Anthropomorphic Forebears.” Asian Ethnology 71, no. 1 (2012): 109–32.

Oppliger, John. “Ask John: Is the Moé Boom Really Dying?”. AnimeNation, August 30, 2010.

Puni Plush.” TV Tropes. Accessed July 26, 2017.

Thompson, Jason. “Moe: The Cult of the Child.” Comixology, July 9, 2009.

Yoda, Tomiko. “The Rise and Fall of Maternal Society: Gender, Labor, and Capital in Contemporary Japan.” In Japan After Japan: Social and Cultural Life from the Recessionary 1990s to the Present, edited by Tomiko Yoda and Harry Harootunian, 239–74. Durham: Duke University Press Books, 2006.

Yoshimizu, Kagami. Lucky Star, Vol. 1. Cypress, Calif.: Bandai Entertainment, 2009.

Yurui.” Web Japan, September 5, 2006.

 


CREEPYPASTA

Akhtar, Allana. “Holocaust Museum, Auschwitz Want Pokémon Go Hunts Out.” USA Today, July 12, 2016.

Akil, Omari. “Warning: Pokemon GO Is a Death Sentence If You Are a Black Man.” Medium, July 7, 2016.

Amalthea. “Pokemon Go Put Me in the ER Last Night.” reddit, July 7, 2016. https://www.reddit.com/r/pokemongo/comments/4rq9bs/pokemon_go_put_me_in_the_er_last_night/.

Andrew, Griffin. “Pokemon Go: Don’t Try and Catch Creatures in the Fukushima Disaster Zone, Trainers Told.” The Independent, July 27, 2016, online edition, sec. Gaming.

Associated Press. “Hiroshima Unhappy Atomic-Bomb Park Is ‘Pokemon Go’ Site.” Naples Herald, July 27, 2016.

BEN Drowned.” Creepypasta Wiki. Accessed April 30, 2018.

Botting, Fred. “Dark Materialism.” Backdoor Broadcasting Company, 2011.

Campbell, Andrew. “Pokemon Go and Moral Panic.Looking Up (blog), August 2, 2016.

Cockburn, Harry. “Two Men Walk off Cliff While Playing Pokemon Go.” The Independent, July 14, 2016.

Considine, Austin. “Creepypasta, or Internet Scares, If You’re Bored at Work.” The New York Times, November 12, 2010.

Dennō Senshi Porygon.” In Wikipedia, July 10, 2018.

Ebola-Chan.” Know Your Meme, 2015.

Gilbert, Ben. “This 40-Second Video Will Convince You That ‘Pokémon GO’ Is an Insane Phenomenon.” Business Insider, July 15, 2016.

Gurochan.” In Encyclopedia Dramatica. Accessed January 23, 2017.

Holly, Russell. “Please Stop Playing Pokémon Go in Cemeteries.” Android Central, July 29, 2017.

Kato, Takahiro A., Alan R. Teo, Masaru Tateno, Motoki Watabe, Hiroaki Kubo, and Shigenobu Kanba. “Can Pokémon GO Rescue Shut-Ins (Hikikomori ) from Their Isolated World?” Psychiatry and Clinical Neurosciences 71, no. 1 (n.d.): 75–76.

Klausner, Alexandra. “You Can Play Pokémon Go in Radioactive Chernobyl,” December 15, 2016, online edition, sec. Living.

Kolnai, Aurel. On Disgust. Edited by Barry Smith and Carolyn Korsmeyer. Chicago: Open Court, 2003.

Kristeva, Julia. Powers of Horror: An Essay on Abjection. Translated by Leon S. Roudiez. New York: Columbia University Press, 1982.

Lavender Town Syndrome.” Creepypasta Wiki. Accessed April 30, 2018.

Loffhagen, Matthew. “The 15 Worst Real World Dangers of Playing Pokémon GO.” Screen Rant, July 12, 2016.

Loveridge, Lynzee. “Couple Who Met via Pokémon GO Receive Ultimate Wedding Video.” Anime News Network, November 16, 2018.

Majora’s Mask.” Creepypasta Wiki. Accessed April 30, 2018.

Marcus, Olivia Rose, and Merrill Singer. “Loving Ebola-Chan: Internet Memes in an Epidemic.” Media, Culture & Society 39, no. 3 (April 1, 2017): 341–56.

Martin, Alex. “Japanese Artist behind Ghastly Creature in Viral ‘Momo Challenge’ Baffled by Disturbing Hoax.” The Japan Times Online, March 6, 2019.

melaphyre. “Creepypasta.” DeviantArt. Accessed April 29, 2018.

Momo Challenge.” Know Your Meme. Accessed June 1, 2019.

MrBijomaru. “R/Pokemongo - How Pokémon GO Saved Me [Discussion].” Reddit. Accessed June 1, 2019.

Parikka, Jussi. “New Materialism as Media Theory: Medianatures and Dirty Matter.” Communication and Critical/Cultural Studies 9, no. 1 (March 2012): 95–100.

Raisin-In-The-Rum. “Gurochan’s Onion Url While ‘Gurochan.Ch’ Is down Answers.” Discussion Group of Blog Posting. Reddit, May 29, 2017.

Sierra, Germán. “Filth as Non-Technology.” KEEP IT DIRTY a. (2016).

Silverberg, Miriam. Erotic Grotesque Nonsense: The Mass Culture of Japanese Modern Times. Berkeley: University of California Press, 2009.

Smith, Dave. “Hundreds of People Mobbed Central Park to Catch a Vaporeon in Pokémon GO.” Business Insider, July 17, 2016.

Video Games.” Creepypasta Wiki. Accessed April 30, 2018.

What Is Creepypasta?Creepypasta Wiki. Accessed April 29, 2018.

Winter-Chan.” Know Your Meme, 2016.

Wittkower, D. E. “On The Origins of The Cute as a Dominant Aesthetic Category in Digital Culture.” In Putting Knowledge to Work and Letting Information Play, edited by Timothy W. Luke and Jeremy Hunsinger, 167–75. Transdisciplinary Studies 4. SensePublishers, 2012.

Xian, Ying, Hanzhang Xu, Haolin Xu, Li Liang, Adrian F. Hernandez, Tracy Y. Wang, and Eric D. Peterson. “An Initial Evaluation of the Impact of Pokémon GO on Physical Activity.” Journal of the American Heart Association: Cardiovascular and Cerebrovascular Disease 6, no. 5 (May 16, 2017).


DARK WEB BAKE SALE

Alexander, Leigh. “Why The Internet Chose Cats.” Thought Catalog, January 25, 2011.

Axiom Zen. “CryptoKitties | Collect and Breed Digital Cats!CryptoKitties. Accessed May 10, 2018.

Braun, Emily. “The Sweetest Things on the Deep Web.” Coin Cafe Blog, December 10, 2015.

Brooke, Zach. “A Marketer’s Guide to the Dark Web.” American Markeeting Association, July 15, 2015.

Clark, Bryan. “Kittens on the Blockchain Is the Future Nobody Asked For.” The Next Web, December 2, 2017.

Clearing Up Confusion - Deep Web vs. Dark Web.” BrightPlanet, March 27, 2014.

Cybertwee. “Bake Sale on the Deep Web!Kickstarter, 2015.

———. “Cybertwee Dark Web Handbook.” Cybertwee, November 30, 2016.

———. “The Cybertwee Manifesto,” 2014.

———. “The Singularity Is Dear.” Cybertwee. Accessed May 8, 2018.

Dewey, Caitlin. “In Search of the Darkest, Most Disturbing Content on the Internet.” The Washington Post, September 2, 2015.

Durbin, Kate. Where Are The Girls, Online? Part Two of an Interview with Kate Durbin. Online [Hyperallergic], January 16, 2013.

Eler, Alicia, and Kate Durbin. “The Teen-Girl Tumblr Aesthetic.” Hyperallergic, March 1, 2013.

Greenberg, Andy. “Hacker Lexicon: What Is the Dark Web?WIRED, September 11, 2014.

Hileman, Gabriella, May Waver, and Violet Forest. The Journey of cybertwee into the Deep Web. Interview by Emily Braun. Online [Coin Cafe Blog], November 5, 2015.

Hoffman, Jordan. “How Cats Took over the Internet: New Exhibition Is Catnip for Feline Fans.” The Guardian, August 7, 2015, sec. Art and design.

Larissa, Hjorth. “Digital Art in the Age of Social Media: A Case Study of the Politics of Personalization via Cute Culture,” 2009.

Lennon, Jen. “18 Creepy True Stories About the Deep Web.” Ranker, November 6, 2015.

Maddox, Alexia, Monica J. Barratt, Matthew Allen, and Simon Lenton. “Constructive Activism in the Dark Web: Cryptomarkets and Illicit Drugs in the Digital ‘Demimonde.’” Information, Communication & Society 19, no. 1 (January 2, 2016): 111–26.

Paasonen, Susanna. Carnal Resonance: Affect and Online Pornography. Cambridge, Mass.; London: The MIT Press, 2011.

Parikka, Jussi. The Anthrobscene. University of Minnesota Press, 2014.

Paul, Kari. “I Bought Adorable Cookies on the Deep Web.” Motherboard, December 9, 2015.

Scott, Izabella. “A Brief History of Cyberfeminism.” Artsy, October 13, 2016.

Shafer, Leah. “Cat Videos and the Superflat Cinema of Attractions.” Film Criticism 40, no. 2 (July 2016).

Shapiro, Nicholas Nakayama. “The 7 Cutest Puppies On The Dark Web.” Odyssey, February 28, 2017.

Sierra, Germán. “Filth as Non-Technology.” KEEP IT DIRTY a. (2016).

Thorburn, Elise D. “Cyborg Witches: Class Composition and Social Reproduction in the GynePunk Collective.” Feminist Media Studies 17, no. 2 (March 4, 2017): 153–67.

Vaughan, Adam. “How Viral Cat Videos Are Warming the Planet.” The Guardian, September 25, 2015, sec. Environment.

Waugh, Rob. “12 Scary Things Which Happen When You Go on the ‘Dark Web.’Metro, July 8, 2015.

Weissman, Cale Guthrie. “The Creepiest and Most Bizarre Stories Told by People Who Explored the Internet’s Hidden Websites.” Business Insider, June 30, 2015.

Wilson, Emily. “5 Surprisingly Wholesome Things I’ve Found on the Dark Web.” The Next Web, February 24, 2018.


END, THE

39CH MIKU channel. VOCALOID OPERA】 “THE END” Artist Interview 【渋谷慶一郎・初音ミク】. YouTube video, 2013.

Abe, Kazunao. “Introduction.” In ATAK 020 THE END, Backcover. Sony Music Entertainment Japan, 2013.

AnDroidV. “[VOCALOID Opera] THE END [English Subtitles] - Comments.” YouTube comment, 2016.

Avedon, LaTurbo. “Still Be Here - Hatsune Miku.” LaTurbo Avedon. Accessed July 19, 2017.

Choplin, Jean-Luc. “Preface.” In THE END Liner Notes. Sony Music Entertainment Japan, 2013.

Faber, Tom. “Review: Still Be Here Featuring Laurel Halo at The Barbican.” Resident Advisor, March 1, 2017.

Fuji TV Official. “THE END” Hatsune Miku x Keiichiro Shibuya VOCALOID OPERA, 2013.

House, Brian. “Machine Listening: WaveNet, Media Materialism, and Rhythmanalysis.” APRJA - A Peer Review Journal About Machine Research (2017).

Kodera, Atsushi. “Composer Shibuya Tests Limits of Music.” The Japan Times Online, March 2, 2014.

Master Blaster. “Hatsune Miku Stars in Humanless Opera ‘THE END’, It Ain’t Over ‘Till the Incredibly Skinny Vocaloid Sings.” RocketNews24, November 22, 2012.

Morrison, Susan Signe. The Literature of Waste: Material Ecopoetics and Ethical Matter. 2015 edition. New York: Palgrave Macmillan, 2015.

Morton, Timothy. “Hyperobjects Are Viscous.” Ecology Without Nature, October 25, 2010.

———. Hyperobjects: Philosophy and Ecology after the End of the World. Minneapolis London: University of Minnesota Press, 2013.

NekoShey. “[VOCALOID Opera] THE END [English Subtitles] - Comments.” YouTube comment, 2015.

Okada, Toshiki. “THE END SCRIPT.” In ATAK 020 THE END. Sony Music Entertainment Japan, 2013.

Parikka, Jussi. “New Materialism as Media Theory: Medianatures and Dirty Matter.Communication and Critical/Cultural Studies 9, no. 1 (March 2012): 95–100.

Pellitteri, Marco. The Dragon and the Dazzle: Models, Strategies, and Identities of Japanese Imagination: A European Perspective. John Libbey Publishing, 2011.

Reynolds, Simon. Retromania: Pop Culture’s Addiction to Its Own Past. London: Faber & Faber, 2012.

Shibuya, Keiichiro. “THE END” complete liner notes Keiichiro Shibuya and Masato Matsumura. Interview by Masato Matsumura. THE END Liner Notes (book), 2013.

Taylor, Andrew. “‘What Is Death?’ How Tragedy Inspired a Japanese Composer’s Virtual Opera.” Financial Review, September 6, 2017.

Teachout, Terry. “The Future of Opera.” Wall Street Journal, July 17, 2014, sec. Life and Style.

[VOCALOID Opera] THE END [English Subtitles] - Comments.” YouTube comment. Accessed January 10, 2017.

Yamada, Keisuke. “Thoughts on Convergence and Divergence in Vocaloid Culture (and Beyond).” Ethnomusicology Review (blog), February 27, 2017.


FAIRIES

Azuma, Hiroki. Otaku: Japan’s Database Animals. Translated by Jonathan E. Abel and Shion Kono. Minneapolis: University of Minnesota Press, 2009.

Dale, Joshua Paul. “The Appeal of the Cute Object: Desire, Domestication, and Agency.” In The Aesthetics and Affects of Cuteness, edited by Joshua Paul Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, 35–55. New York: Routledge, 2016.

Fiennes, Sophie. The Pervert’s Guide To Cinema. Documentary film. P Guide Ltd, 2006.

Harris, Daniel. Cute, Quaint, Hungry and Romantic: The Aesthetics of Consumerism. New York: Basic Books, 2000.

Herbig, Paul A., and Pat Borstorff. “Japan′s Shinjinrui: The New Breed.” International Journal of Social Economics 22, no. 12 (December 1, 1995): 49–65.

Jones, Steven. “Humanity Has Superflattened.” WON’T FORGET NEVER, February 2013.

Kelly, William W. “Finding a Place in Metropolitan Japan: Ideologies, Institutions, and Everyday Life.” In Postwar Japan as History, edited by Andrew Gordon, 189--258. Berkeley, Calif.: University of California Press, 1993.

Kolnai, Aurel. On Disgust. Edited by Barry Smith and Carolyn Korsmeyer. Chicago: Open Court, 2004.

Mann, Michael. The Sources of Social Power: Volume 1, A History of Power from the Beginning to AD 1760. Cambridge Cambridgeshire ; New York: Cambridge University Press, 1986.

Ngai, Sianne. “The Cuteness of the Avant‐Garde.” Critical Inquiry 31, no. 4 (2005): 811–47.

———. Ugly Feelings. Harvard University Press, 2007.

Roberts, Adam. “The Copernican Revolution.” In The Routledge Companion to Science Fiction, edited by Mark Bould, Andrew Butler, Adam Roberts, and Sherryl Vint, 3–12. London; New York: Routledge, 2009.

Shimbori, Michiya, T. Ban, K. Kono, H. Yamazaki, Y. Kano, M. Murakami, and T. Murakami. “Japanese Student Activism in the 1970s.” Higher Education 9, no. 2 (March 1, 1980): 139–54.

Tanner, Grafton. Babbling Corpse: Vaporwave And The Commodification Of Ghosts. Winchester, UK ; Washington, USA: Zero Books, 2016.

Wilde, Lukas. “Winter School: De/Recontextualizing Characters: Media Convergence and Pre-/Meta-Narrative Character Circulation.” Universität Tübingen, 2018.


FLOATING DAKIMAKURA

Armstrong, Karen. The Great Transformation: The Beginning of Our Religious Traditions. New York: Anchor Books, 2007.

Ashcraft, Brian. “A Natural Hug Pillow Evolution.” Kotaku. Accessed July 26, 2018.

Baseel, Casey. “Anime Pillow Responds to Your Rubbing with Moans and Groans, Gets Angry If You Get Too Grabby.” SoraNews24, February 28, 2015.

———. “You Can Now Buy Breast Implants for Anime Huggy Pillows in Japan.” SoraNews24, February 1, 2018.

———. “Y-Shaped Naked Anime Girl Pillow Cover Features Spreadable Legs.” SoraNews24, September 9, 2017.

Benjamin, Walter. “Central Park.” New German Critique, no. 34 (Winter 1985): 32–58.

Burke, James. “How Are Anime Body Pillows Viewed by Mainstream Japanese Society? Answers.” Discussion Group of Blog Posting. Quora, September 8, 2017.

Clemens, Danny. “This Is How Much Garbage We’ve Left in Orbit Around Earth.” Discovery Blog (blog), December 30, 2015.

Derrida, Jacques. Specters of Marx. New York; London: Routledge, 2006.

Edelman, Lee. No Future: Queer Theory and the Death Drive. Durham: Duke University Press Books, 2004.

Ferguson, Anthony. The Sex Doll: A History. Jefferson, N.C: McFarland, 2010.

Ferrer, Angelo. “How Are Anime Body Pillows Viewed by Mainstream Japanese Society? Answers.” Discussion Group of Blog Posting. Quora, September 8, 2017.

Galbraith, Patrick W. The Moe Manifesto: An Insider’s Look at the Worlds of Manga, Anime, and Gaming. Singapore: Tuttle Publishing, 2014.

Guevara-Flanagan, Kristy. What Happened to Her – An Interview with Kristy Guevara-Flanagan. Interview by Blythe Worthy. March 22, 2017.

Gullette, Margaret Morganroth. “The Exile of Adulthood: Pedophilia in the Midlife Novel.” NOVEL: A Forum on Fiction 17, no. 3 (1984): 215–32.

Hodges, Alexandra-Ann. “About.Campaign Against Sex Robots (blog), September 12, 2015.

Ivy, Marilyn. “The Art of Cute Little Things: Nara Yoshitomo’s Parapolitics.” Mechademia 5, no. 1 (November 10, 2010): 3–29.

Kao, Wan-Chuan, and Jen Boyle. “Introduction: The Time of the Child.” In The Retro-Futurism of Cuteness, edited by Jen Boyle and Wan-Chuan Kao, 13–26. New York: Punctum Books, 2017.

Kinsella, Sharon. “Cuties in Japan.” In Women, Media, and Consumption in Japan, edited by Lise Skov and Brian Moeran, 220–54. Honolulu: University of Hawaii Press, 1996.

Kolnai, Aurel. On Disgust. Edited by Barry Smith and Carolyn Korsmeyer. Chicago: Open Court, 2003.

Louise. “Anime Is Changing to Focus on Female Fans to Survive.” GoBoiano, February 22, 2017.

Malm, Andreas, and Alf Hornborg. “The Geology of Mankind? A Critique of the Anthropocene Narrative.” The Anthropocene Review 1, no. 1 (April 1, 2014): 62–69.

Marx, Karl. Capital: Volume 1: A Critique of Political Economy. Translated by Ben Fowkes. London ; New York, N.Y: Penguin Classics, 1992.

Massimo, Ottimo. “The New Tenga 3d Takes Pleasure To A New Dimension.” Fleshbot (blog), October 26, 2011.

Miller, Tyrus. “Eternity No More : Walter Benjamin on the Eternal Return.” In Given World and Time: Temporalities in Context, edited by Tyrus Miller. Ceu Press, 2008.

Morrison, Susan Signe. The Literature of Waste: Material Ecopoetics and Ethical Matter. 2015 edition. New York: Palgrave Macmillan, 2015.

Murakami, Takashi. Superflat. Tokyo: Madora Shuppan, 2000.

Ngai, Sianne. Our Aesthetic Categories: Zany, Cute, Interesting. London; Cambridge, Mass.: Harvard University Press, 2012.

Oguma, Eiji. “Japan’s 1968: A Collective Reaction to Rapid Economic Growth in an Age of Turmoil.” Translated by Nick Kapur, Samuel Malissa, and Stephen Poland. The Asia-Pacific Journal, March 23, 2015.

Oswalt, Patton. “Wake Up, Geek Culture. Time to Die.” WIRED, December 27, 2010.

Parikka, Jussi. “New Materialism as Media Theory: Medianatures and Dirty Matter.” Communication and Critical/Cultural Studies 9, no. 1 (March 2012): 95–100.

———. The Anthrobscene. University of Minnesota Press, 2014.

Pellitteri, Marco. The Dragon and the Dazzle: Models, Strategies, and Identities of Japanese Imagination: A European Perspective. John Libbey Publishing, 2011.

Pettman, Dominic. Human Error: Species-Being and Media Machines. Minneapolis: University of Minnesota Press, 2011.

Schneider, Martin. “Is Owning an Anime Body Pillow Creepy? Answers.” Discussion Group of Blog Posting. Quora, January 10, 2017.

Scott, A. O. “The Death of Adulthood in American Culture.” The New York Times, September 11, 2014.

Shakespeare, William. Hamlet, Prince of Denmark. Edited by Philip Edwards. The New Cambridge Shakespeare. Cambridge, UK: Cambridge University Press, 2003.

Wong, Yoke-Sum. “A Presence of a Constant End: Contemporary Art and Popular Culture in Japan.” In The Ends of History: Questioning the Stakes of Historical Reason, edited by Amy Swiffen and Joshua Nichols, 84–102. Abingdon (UK): Routledge, 2013.

Yaeger, Patricia. “Editor’s Column: The Death of Nature and the Apotheosis of Trash; or, Rubbish Ecology.” PMLA 123, no. 2 (March 1, 2008): 321–39.


GAIJIN MANGAKA

Asega, Salome, Ajay Kurian, Jacolby Satterwhite, Homi Bhabha, Joan Kee, Michelle Kuo, and Gregg Bordowitz. “Cultural Appropriation: A Roundtable.” Artforum, Summer 2017.

Berliac. Berliac e la scena Gaijiin Manga dell’antologia Kuš! #25. Interview by Valerio Stivé. Fumetto Logica (website), February 28, 2017.

———. “Gay-Jin: Manga Is Not a Genre. It’s a Gender.” In Seinen Crap 2, 16. Berlin, 2015.

———. Playground. Una Novela Gráfica. Un Documental. Un Cómic. Valencia: Ediciones Valientes, 2013.

Berliac, and David Schilter. kuš! Aesthetics. Interview by Josselin Moneyron. The Comics Journal, October 27, 2016.

Berndt, Jaqueline. “The Intercultural Challenge of the ‘Mangaesque’: Reorienting Manga Studies after 3/11.” In Manga’s Cultural Crossroads, edited by Jaqueline Berndt and Bettina Kümmerling-Meibauer, 65–84. Routledge, 2014.

Berndt, Jaqueline, and Bettina Kümmerling-Meibauer. “Introduction: Studying Manga across Cultures.” In Manga’s Cultural Crossroads, edited by Jaqueline Berndt and Bettina Kümmerling-Meibauer, 1–14. Routledge, 2014.

Brienza, Casey. “‘Manga Is Not Pizza’: The Performance of Ethno-Racial Authenticity and the Politics of American Anime and Manga Fandom in Svetlana Chmakova’s Dramacon.” In Global Manga: “Japanese” Comics without Japan?, edited by Casey Brienza, 95–113, 2015.

———. “Manga without Japan?” In Global Manga: “Japanese” Comics without Japan?, edited by Casey Brienza, 1–21, 2015.

Brienza, Casey E. “Books, Not Comics: Publishing Fields, Globalization, and Japanese Manga in the United States.” Publishing Research Quarterly 25, no. 2 (June 1, 2009): 101–17.

Chmakova, Svetlana. Dramacon, Volume 1. Los Angeles: Tokyopop, 2017.

Cohn, Neil, and Sean Ehly. “The Vocabulary of Manga: Visual Morphology in Dialects of Japanese Visual Language.” Journal of Pragmatics 92 (January 1, 2016): 17–29.

Dimock, Michael. “Where Millennials End and Generation Z Begins.” Pew Research Center, January 17, 2019.

Drawn & Quarterly. “AN APOLOGY.” Drawn & Quarterly, June 2, 2017.

GARAGEMCA. Transculturation, Cultural Inter-Nationalism and beyond. A Lecture by Koichi Iwabuchi at Garage. YouTube video. Moscow: Garage Museum of Contemporary Art, 2018.

Gravett, Paul. “A Constant Light: Intro by Paul Gravett.” In Gaijin Mangaka, edited by David Schilter, Berliac, and Sanita Muizniece, Š!, 4–8. 25. Riga: Grafiskie stasti, 2016.

Grosu-Rădulescu, Lucia M. “Multiculturalism or Transculturalism? Views on Cultural Diversity.” Synergy 8, no. 2 (January 1, 2012).

Hennum, Shea. “BoJack Horseman Producer Serves up Funny Food in Hot Dog Taste Test.” The A.V. Club, August 9, 2016.

Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington: Indiana University Press, 1987.

———. “High/Low in an Expanded Field.” Modernism/Modernity 9, no. 3 (September 1, 2002): 363–74.

Ivy, Marilyn. “Critical Texts, Mass Artifacts: The Consumption of Knowledge in Postmodern Japan.” In Postmodernism and Japan, edited by Masao Miyoshi and Harry Harootunian, 21–46. Durham: Duke University Press Books, 1989.

Iwabuchi, Koichi. “Complicit Exoticism: Japan and Its Other.” Continuum 8, no. 2 (January 1, 1994): 49–82.

———. “Pop-Culture Diplomacy in Japan: Soft Power, Nation Branding and the Question of ‘International Cultural Exchange.’” International Journal of Cultural Policy 21, no. 4 (August 8, 2015): 419–32.

———. Recentering Globalization: Popular Culture and Japanese Transnationalism. Durham: Duke University Press Books, 2002.

Játiva, Jesús. “Playground.” Zona Negativa, July 1, 2016.

Jones, Charlie Robin. “Crowd-Sourced Stardom: Mari Matsutoya and Hatsune Miku.” ssense, September 14, 2017.

Knudde, Kjell. “Hergé.” Lambiek Comiclopedia.

Kojève, Alexandre. Introduction to the Reading of Hegel: Lectures on the Phenomenology of Spirit. Edited by Allan Bloom. Translated by James H. Nichols. Ithaca, N.Y: Cornell University Press, 1980.

Kristeva, Julia. Powers of Horror: An Essay on Abjection. Translated by Leon S. Roudiez. New York: Columbia University Press, 1982.

Lewis, Jeff. Cultural Studies - The Basics. SAGE, 2002.

Matthes, Erich Hatala. “Cultural Appropriation Without Cultural Essentialism?” Social Theory and Practice 42, no. 2 (August 19, 2016): 343–66.

“Millennial.” In Oxford Dictionaries | English. Accessed May 20, 2019. https://en.oxforddictionaries.com/definition/millennial.

Morley, Madeleine. “Minnesota Publisher 2dcloud Is Gaining Ground in U.S. Alt-Comics.” Eye on Design (blog), January 31, 2017.

Moura, Pedro. “Art Comics.” LerBD (blog), October 14, 2013.

Murakami, Takashi. Superflat. Tokyo: Madora Shuppan, 2000.

Nou. Artist Interview ~ Nou. October 14, 2016.

Psychic Driving.” Psychic Driving, April 21, 2015.

Rubinfien, Leo. “Daido Moriyama: Investigations of a Dog.” AMERICAN SUBURB X (blog), October 1999.

Santoro, Frank. “South American Spotlight: Berliac.” The Comics Journal (blog), October 23, 2014.

Schilter, David, Berliac, and Sanita Muizniece, eds. Gaijin Mangaka. Š! 25. Riga: Grafiskie stasti, 2016.

Shinn, Nicole. Kiss Me. New York: TXTbooks, 2016.

Shohat, Ella, and Robert Stam. Unthinking Eurocentrism: Multiculturalism and the Media. London: Routledge, 2013.

Still Be Here.” CTM Festival – Festival for Adventurous Music and Art, February 6, 2016.

stomachbees. “Do You Not Think That Japanese People Are Going To...Kuš!, August 2, 2016.

Yoda, Tomiko. “A Roadmap to Millenial Japan.” In Japan After Japan: Social and Cultural Life from the Recessionary 1990s to the Present, edited by Tomiko Yoda and Harry Harootunian, 16–53. Durham: Duke University Press Books, 2006.


GAKKOGURASHI!

Cook, Amelia. “Moé, Misogyny and Masculinity: Anime’s Cuteness Problem–and How to Fix It.” The Mary Sue (blog), September 7, 2016.

Dale, Joshua Paul. “The Appeal of the Cute Object: Desire, Domestication, and Agency.” In The Aesthetics and Affects of Cuteness, edited by Joshua Paul Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, 35–55. New York: Routledge, 2016.

Deleuze, Gilles. Difference and Repetition. Translated by Paul Patton. New York: Columbia University Press, 1995.

Goldstein, Andrew M. “I Survived the Zombie Formalism Apocalypse: The Hard-Won Lessons of London Dealer Rod Barton.” Artspace, February 12, 2016.

Hagen, Benjamin. “Slow Reading (1.18): Deleuze’s DR (Pp. 18-19).” Sketching a Present, December 30, 2017.

Kaihou, Norimitsu, and Sadoru Chiba. School-Live!, Vol. 1. New York, NY: Yen Press, 2015.

Kolnai, Aurel. On Disgust. Edited by Barry Smith and Carolyn Korsmeyer. Chicago: Open Court, 2003.

Lamarre, Thomas. “Introduction.” In Mechademia 6: User Enhanced, edited by Frenchy Lunning, ix–xvi. Minneapolis, Minn.: University of Minnesota Press, 2011.

Ngai, Sianne. Ugly Feelings. Harvard University Press, 2007.

Oppliger, John. “Ask John: Is the Moé Boom Really Dying?AnimeNation, August 30, 2010.

Otori, Hidenaga. “Revolt, Dysfunction, Dementia: Toward the Body of ‘Empire.’” In How Latitudes Become Forms: Art in the Global Age, 1st edition., 98–107. Minneapolis: Walker Art Center, 2003.

Panagia, Davide. “‘Partage Du Sensible’: The Distribution of the Sensible.” In Jacques Ranciere: Key Concepts, edited by Jean-Philippe Deranty, 95–103. Durham: Routledge, 2014.

Pennant-Rea, Ned. “The Dancing Plague of 1518.” The Public Domain Review, July 10, 2018.

Pritchard, Sara B. “An Envirotechnical Disaster: Nature, Technology, and Politics at Fukushima.” Environmental History 17, no. 2 (April 1, 2012): 219–43.

Robinson, Walter. “Flipping and the Rise of Zombie Formalism.” Artspace, April 3, 2014.

Saika, Lady. “The Moeblob vs. the Strong Female Character.” Lady Geek Girl and Friends, December 24, 2012.

Schiller, Friedrich. On the Aesthetic Education of Man. Translated by Reginald Snell. Mineola, N.Y: Dover Publications, 2004.

Still Life.” In New World Encyclopedia. Accessed June 17, 2019.

Wiley, Chris. “The Toxic Legacy of Zombie Formalism, Part 1: How an Unhinged Economy Spawned a New World of ‘Debt Aesthetics.’” Artnet (blog), July 26, 2018.


GESAMPTCUTEWERK

americanhikikomori15. “What Hikikomori Is And What It Isn’t.” American  Hikikomori Blog.Com, March 4, 2019.

Ashcraft, Brian. “The Largest Hello Kitty Goods Collection In The World.” Kotaku. Accessed July 8, 2017.

Bishop, Claire. Installation Art. London: Tate, 2010.

Butet-Roch, Laurence, and Maika Elan. “Pictures Reveal the Isolated Lives of Japan’s Social Recluses.” National Geographic, February 14, 2018.

Comic Market Committee. “What Is the Comic Market?”, 2014.

DeMichele, Thomas. “People Can Legally Marry Inanimate Objects - Fact or Myth?Fact / Myth, May 23, 2016.

Dinner with Waifu / Otaku Dates.” Know Your Meme, January 28, 2012.

Funk, John. “Korean Otaku Marries Anime Body Pillow.” The Escapist, March 5, 2010.

Gabriel, Ben. “I Have No Mouth but I Must Scream.” The New Inquiry (blog), February 16, 2012.

Galbraith, Patrick W. “A Room of Their Own: Otaku In the Popular Imagination.” In Otaku Spaces, 16–25. Seattle, WA: Chin Music Press Inc., 2012.

Guinness World Records. Largest Collection of Hello Kitty Memorabilia - Japan Tour, 2017.

Harrod, Horatia. “Miffy Creator Dick Bruna: ‘Hello Kitty Is a Copy of Miffy. I Don’t like That at All.’” The Telegraph, February 17, 2017.

Ivy, Marilyn. “The Art of Cute Little Things: Nara Yoshitomo’s Parapolitics.” Mechademia 5, no. 1 (November 10, 2010): 3–29.

Kelly, William W., ed. Fanning the Flames: Fans and Consumer Culture in Contemporary Japan. Albany, NY: State University of New York Press, 2004.

Kinsella, Sharon. “Cuties in Japan.” In Women, Media, and Consumption in Japan, edited by Lise Skov and Brian Moeran, 220–54. Honolulu: University of Hawaii Press, 1996.

Kozsilovics, Vincent, and Carlotta Montaldo. “Takashi Murakami Case Study.” Observatoire de l’art contemporain, December 14, 2016.

Marx, Karl. Capital: Volume 1: A Critique of Political Economy. Translated by Ben Fowkes. Reprint edition. London; New York, N.Y: Penguin Classics, 1992.

Millard, Rosie. “The Man Who Made Miffy.” Financial Times, March 25, 2011.

Morton, Timothy. Hyperobjects: Philosophy and Ecology after the End of the World. Minneapolis London: University of Minnesota Press, 2013.

Murakami, Takashi. Little Boy: The Art of Japan’s Exploding Subculture. New York; New Haven: Japan Society, Inc. / Yale University Press, 2005.

Ngai, Sianne. Our Aesthetic Categories: Zany, Cute, Interesting. London; Cambridge, Mass.: Harvard University Press, 2012.

Pellitteri, Marco. The Dragon and the Dazzle: Models, Strategies, and Identities of Japanese Imagination: A European Perspective. John Libbey Publishing, 2011.

Rose, Frank. “What Richard Wagner Can Teach Us about Storytelling in the Internet Age.” Deep Media (blog), August 5, 2011.

Sharp, Kristen. “Superflatworlds : A Topography of Takashi Murakami and the Cultures of Superflat Art,” 2006.

South Korean Lee Jin-Gyu ‘marries’ Pillow Lover Fate Testarossa.” The Daily Telegraph, March 16, 2010.

Steinberg, Marc. Anime’s Media Mix: Franchising Toys and Characters in Japan. Minneapolis: University of Minnesota Press, 2012.

Tanke, Joseph J. Jacques Ranciere: An Introduction. London ; New York: Bloomsbury Academic, 2011.

Thorn, Rachel “Matt.” “Girls and Women Getting Out of Hand: The Pleasure and Politics of Japan’s Amateaur Comics Community.” In Fanning the Flames: Fans and Consumer Culture in Contemporary Japan, edited by William W. Kelly, 169–87. Albany, NY: State University of New York Press, 2004.

Vidalis, Michael A. “Gesamtkunstwerk.” GreekArchitects, June 30, 2010.


GRIMES, NOKIA, YOLANDI

Albritton, Robert. Dialectics and Deconstruction in Political Economy. Basingstoke: Palgrave Macmillan, 2001.

Alfonso, Fernando. “Introducing Josip on Deck, the Anime-Obsessed Rapper Who Rules 4chan.” The Daily Dot, September 9, 2013.

Boucher, Claire. Grimes: “Genesis.” Interview by Carrie Battan. Pitchfork (online), August 27, 2012.

Brownlie, Craig. “Manga Invasion.” City Newspaper, December 28, 2005.

Campbell, Chelsea. “Princess Nokia Is Really out Here as the Multidimensional Queen of NYC.” KultureHub, September 8, 2017.

Chandler, Simon. “Escaping Reality: The Iconography of Vaporwave.” Bandcamp Daily, September 16, 2016.

Dance Dance Revolution.” In Wikipedia, July 11, 2018.

Die Antwoord. DIE ANTWOORD Ft. The Black Goat ‘ALIEN’ (Official Video). Accessed August 28, 2018.

DieAntwoordVEVO. Die Antwoord - Enter The Ninja (Explicit Version), 2010.

GARAGEMCA. Transculturation, Cultural Inter-Nationalism and beyond. A Lecture by Koichi Iwabuchi at Garage. YouTube video. Moscow: Garage Museum of Contemporary Art, 2018.

Haupt, Adam. “Part IV: Is Die Antwoord Blackface?Safundi 13, no. 3–4 (July 1, 2012): 417–23.

Hypatia Transracialism Controversy.” In Wikipedia, July 29, 2018.

Interracial Adoption.” In Wikipedia, August 15, 2018.

Iwabuchi, Koichi. Recentering Globalization: Popular Culture and Japanese Transnationalism. Durham: Duke University Press Books, 2002.

———. “‘Soft’ Nationalism and Narcissism: Japanese Popular Culture Goes Global.” Asian Studies Review 26, no. 4 (December 1, 2002): 447–69.

Jones, Jonathan. “Damien Hirst: Treasures from the Wreck of the Unbelievable Review – a Titanic Return.” The Guardian, sec. Art and design. Accessed May 21, 2017.

Josip On Deck. Josip On Deck - I’m Japanese (Music Video). YouTube video, 2014.

———. Josip On Deck - Mai Waifu (Music Video). YouTube video, 2012.

Kelts, Roland. Japanamerica: How Japanese Pop Culture Has Invaded the U.S. New York: St. Martin’s Griffin, 2007.

Kinsella, Sharon. “Japanization of European Youth.” Nightwave97, 1997.

Krauss, Rosalind E., and Yve-Alain Bois. Formless: A User’s Guide by Yve-Alain Bois. New York: Zone Books, 1997.

Krueger, Anton. “Part II: Zef/Poor White Kitsch Chique: Die Antwoord’s Comedy of Degradation.” Safundi 13, no. 3–4 (July 1, 2012): 399–408.

Morgan, Tiernan. “Damien Hirst’s Shipwreck Fantasy Sinks in Venice.” Hyperallergic, August 10, 2017.

Mukokuseki.” TV Tropes. Accessed November 15, 2017.

Pellitteri, Marco. The Dragon and the Dazzle: Models, Strategies, and Identities of Japanese Imagination: A European Perspective. John Libbey Publishing, 2011.

Princess Nokia: ‘Cybiko.’” (The) Absolute (blog), 2014.

Rachel Dolezal.” In Wikipedia, August 15, 2018.

Reynolds, Simon. Retromania: Pop Culture’s Addiction to Its Own Past. London: Faber & Faber, 2012.

Riot Grrrl Music Genre Overview.” AllMusic. Accessed August 28, 2018.

Ryder, Caroline. “Yo-Landi Visser: Dark Star.” Dazed, February 26, 2015.

Scassa, Juan. “Japan Strikes Back: From the American Invasion to Gaijin Magaka.” GAIJIN GEKIGA 外人劇画 (blog), July 24, 2017.

Schmidt, Bryan. “Fatty Boom Boom and the Transnationality of Blackface in Die Antwoord’s Racial Project.” TDR/The Drama Review 58, no. 2 (May 12, 2014): 132–48.

Schmidt, Christopher. The Poetics of Waste: Queer Excess in Stein, Ashbery, Schuyler, and Goldsmith. New York, NY: Palgrave Macmillan, 2014.

Sharp, Kristen. “Superflatworlds : A Topography of Takashi Murakami and the Cultures of Superflat Art,” 2006.

Smith, Ben. “The Tomorrow That Never Was: Japanese Iconography in Vaporwave.” Neon Music, October 15, 2017.

The Japanese Invasion / Useful Notes.” TV Tropes. Accessed August 28, 2018.

Treasures from the Wreck of the Unbelievable.” Palazzo Grassi. Accessed August 28, 2018.

Velasquez, Brenda. “The ‘Japanese Invasion’: Anime’s Explosive Popularity in the U.S.Asian Avenue Magazine (blog), September 15, 2013.

Wood, Jennie. “Manga and Anime: The Japanese Invasion.” InfoPlease. Accessed August 28, 2018.

Yano, Christine R. “Flipping Kitty: Transnational Transgressions of Japanese Cute.” In Medi@sia: Global Media/Tion in and Out of Context, edited by T. J. M. Holden and Timothy J. Scrase. London u.a.: Routledge, 2006.

Yoda, Tomiko. “A Roadmap to Millenial Japan.” In Japan After Japan: Social and Cultural Life from the Recessionary 1990s to the Present, edited by Tomiko Yoda and Harry Harootunian, 16–53. Durham: Duke University Press Books, 2006.

Zef.” In Wikipedia, April 10, 2017.


HAMSTER

Aoyagi, Hiroshi, and Shu Min Yuen. “When Erotic Meets Cute: Erokawa and the Public Expression of Female Sexuality in Contemporary Japan.” East Asian Journal of Popular Culture, Volume 2, Number 1, 1 April 2016, pp. 97-110(14).

Ashcraft, Brian. “This Isn’t Kawaii. It’s Disturbing.” Kotaku, August 23, 2012.

Baker, Steve. The Postmodern Animal. London: Reaktion Books, 2000.

Cather, Kirsten. “Must We Burn Eromanga? Trying Obscenity in the Courtroom and in the Classroom.” In The End of Cool Japan: Ethical, Legal, and Cultural Challenges to Japanese Popular Culture, edited by Mark McLelland, 70–93. Routledge, 2016.

Cronon, William. “The Trouble with  Wilderness; or, Getting   Back   to   the   Wrong   Nature.” In Uncommon Ground: Rethinking the Human Place in Nature, edited by William Cronon, 1st edition., 69–90. New York, NY: W. W. Norton & Company, 1996.

Currie, Nicholas. “Holidays from Being Human.” Click Opera (blog), December 2, 2006.

Dale, Joshua Paul. “The Appeal of the Cute Object: Desire, Domestication, and Agency.” In The Aesthetics and Affects of Cuteness, edited by Joshua Paul Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, 35–55. New York: Routledge, 2016.

Dale, Joshua Paul, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, eds. The Aesthetics and Affects of Cuteness. New York: Routledge, 2016.

Duffy, Ryan. “The Japanese Love Industry.” Vice, December 25, 2013.

Feuvre, Lisa Le. “Introduction: Strive to Fail.” In Failure, edited by Lisa Le Feuvre, 12–21. London: The MIT Press, 2010.

Fursecution.” WikiFur, the furry encyclopedia, August 18, 2006.

Kimura, Maya. “Drawing National Specters: Makoto Aida’s DOG and The Giant Member of Fuji versus King Gidorâ.” Sightlines, no. 7 (2008): 86–109.

Kinsella, Sharon. “Cuties in Japan.” In Women, Media, and Consumption in Japan, edited by Lise Skov and Brian Moeran, 220–54. Honolulu: University of Hawaii Press, 1996.

Kojima, Sako. “2016 Project "Hamster Collection - A Hamster Works and Collects Art.” sakokojima.info/. Accessed June 13, 2019.

———. An interview with a human hamster. Interview by Milène Larsson and Luca Deasti. Vice, May 5, 2009.

———. “Performance.” sakokojima.info/. Accessed June 13, 2019.

Legge, Elizabeth. “When Awe Turns to Awww... Jeff Koon’s Balloon Dog and the Cute Sublime.” In The Aesthetics and Affects of Cuteness, edited by Joshua Paul Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, 130–50. New York: Routledge, 2016.

Ngai, Sianne. “Our Aesthetic Categories.” PMLA 125, no. 4 (October 1, 2010): 948–58.

———. “The Cuteness of the Avant‐Garde.” Critical Inquiry 31, no. 4 (2005): 811–47.

———. Ugly Feelings. Harvard University Press, 2007.

Penney, Matthew. “‘Human Dogs’, Aida Makoto, and the Mori Art Museum Controversy.” The Asia-Pacific Journal, March 11, 2013.

sarmoung. “Holidays from Being Human [Comment].” LiveJournal. Click Opera, December 2, 2006.

Shaw, Debra Benita. Technoculture: The Key Concepts. Berg Publishers, 2008.

Weiss, Dennis. “Post-Human Television: Part I.” In Post-Screen: Intermittence + Interference, edited by Ana Moutinho, Ana Teresa Vicente, Helena Ferreira, José Gomes Pinto, and Judite Primo. Lisbon: Universidade Lusófona, 2016.

Wong, Yoke-Sum. “A Presence of a Constant End: Contemporary Art and Popular Culture in Japan.” In The Ends of History: Questioning the Stakes of Historical Reason, edited by Amy Swiffen and Joshua Nichols, 84–102. Abingdon (UK): Routledge, 2013.

Wraight, Christopher D. Rousseau’s “The Social Contract”: A Reader’s Guide. London ; New York: Continuum, 2008.


HIRO UNIVERSE

Alexander, Leigh. “The Y2K Aesthetic: Who Knew the Look of the Year 2000 Would Endure?The Guardian, May 19, 2016, sec. Technology.

BRONZE COLLECTION.” Tom Sachs, 2008.

Ehrlich, David. “From Kewpies to Minions: A Brief History of Pop Culture Cuteness.” Rolling Stone, July 21, 2015.

Elder, Lauren, Rachael Milton, and Sua Yoo. Hiro. Los Angeles, 2014.

———. “HIRO ☆ Artist Book, Comic, and Sculptures by Lauren Elder, Rachael Milton and Sua Yoo ☆ 2014.” Hiro Universe, 2014.

Eler, Alicia, and Kate Durbin. “The Teen-Girl Tumblr Aesthetic.” Hyperallergic, March 1, 2013.

Healthgoth.” In Aesthetic Wiki. Accessed May 18, 2017.

Legge, Elizabeth. “When Awe Turns to Awww... Jeff Koon’s Balloon Dog and the Cute Sublime.” In The Aesthetics and Affects of Cuteness, edited by Joshua Paul Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, 1 edition., 130–50. New York: Routledge, 2016.

One Million Kingdoms.” Guggenheim (blog), January 1, 2001.

Yaeger, Patricia. “Editor’s Column: The Death of Nature and the Apotheosis of Trash; or, Rubbish Ecology.” PMLA 123, no. 2 (March 1, 2008): 321–39.

Yano, Christine R. Pink Globalization: Hello Kitty’s Trek across the Pacific. Durham, North Carolina: Duke University Press, 2013.

Yoda, Tomiko. “A Roadmap to Millenial Japan.” In Japan After Japan: Social and Cultural Life from the Recessionary 1990s to the Present, edited by Tomiko Yoda and Harry Harootunian, 16–53. Durham: Duke University Press Books, 2006.


IKA-TAKO VIRUS

Bullet Hell.” TV Tropes. Accessed September 28, 2018.

Criticism of Family Guy.” In Wikipedia, May 14, 2018.

Cross, Gary. The Cute and the Cool: Wondrous Innocence and Modern American Children’s Culture. Oxford ; New York: Oxford University Press, 2004.

Cthulhu Attacks Japan’s File-Sharers.” News.3Yen.com, August 22, 2010.

Cultural Impact of The Colbert Report.” In Wikipedia, January 9, 2018.

D’Anastasio, Cecilia. “Anime Malware Locks Your Files Unless You Play A Game.” Kotaku, July 4, 2017.

Ettenfield, Laura. “The Octopussy: Exploring Representations of Female Sexuality in Victor Hugo’s The Toilers of the Sea (1866) and The Laughing Man (1868).” In Beasts of the Deep: Sea Creatures and Popular Culture, edited by Jon Hackett and Seán Harrington, 78–93. Indiana University Press, 2018.

Fitzpatrick, Laura. “The Biggest Pranks in Geek History.” Time, September 8, 2008.

Geere, Duncan. “Japanese Virus Replaces Files with Pictures of Squid.” WIRED UK, August 16, 2010.

Hoskinson, Jim. The Colbert Report. United States: Comedy Central, August 23, 2010.

Japanese Mascots: The Yuru-Chara Guide.” DeepJapan, January 17, 2016.

Japanese P2P Virus Writer Convicted, Escapes Jail.” Goverment Technology, May 16, 2008.

Japanese Police Arrest Inventor of Computer Virus.” Scoop News, February 1, 2008.

Jones, Colin P. A. “Too Much ‘Ganbaru’ Could Push Anyone over the Edge.” The Japan Times Online, June 8, 2015.

Kageyama, Yuri. “Japanese Police Arrest Alleged Spammer.” msnbc.com, January 25, 2008.

Kinsella, Sharon. “Cuties in Japan.” In Women, Media, and Consumption in Japan, edited by Lise Skov and Brian Moeran, 220–54. Honolulu: University of Hawaii Press, 1996.

Kyou Is a Virus ...こねこね倶楽部, August 5, 2010.

Lamarre, Thomas. “From Animation to Anime : Drawing Movements and Moving Drawings.” Japan Forum 14, no. 2 (January 1, 2002): 329–67.

———. The Anime Machine: A Media Theory of Animation. Minneapolis, Minn.: University of Minnesota Press, 2009.

Loo, Egan. “Clannad Malware Creator Gets Two Years in Prison.” Anime News Network, May 16, 2008.

McCormick, Rich. “The Malware Museum Shows the Cute Computer Viruses of the Past.” The Verge, February 8, 2016.

McCurry, Justin. “Japanese Children’s Cartoon Crayon Shin-Chan Branded Pornography.” The Guardian, September 24, 2014, sec. World news.

Moya, Jerad. “Japanese Man Behind P2P Virus Receives Suspended Sentence.” ZeroPaid.Com, May 19, 2008.

Murakami, Takashi. Little Boy: The Art of Japan’s Exploding Subculture. New York; New Haven: Japan Society, Inc. / Yale University Press, 2005.

Occhi, Debra. “Wobbly Aesthetics, Performance, and Message: Comparing Japanese Kyara with Their Anthropomorphic Forebears.” Asian Ethnology 71, no. 1 (2012): 109–32.

Parikka, Jussi. “New Materialism as Media Theory: Medianatures and Dirty Matter.Communication and Critical/Cultural Studies 9, no. 1 (March 2012): 95–100.

Pera, Goreti. “Série ‘Shin Chan’ só pode ser emitida após as 22h30. Assim delibera a ERC.” Notícias ao Minuto, May 16, 2017.

Posey, Talainia. “When Viruses Attack.” TechRepublic, February 25, 2000.

Shoot ’em Up.” In Wikipedia, August 16, 2018.

Someya, Masayoshi. “Japan Outlaws Creating Malware.TrendLabs Security Intelligence Blog, June 22, 2011.

Stanska, Zuzanna. “All You Must Know About Japanese Erotic Art, Shunga (18+).” DailyArtMagazine (blog), February 16, 2017.

Tavares, Christopher. “Origin of the Cookie Monster.” Multics, March 13, 1995.

The Colbert Report.” In Wikipedia, April 21, 2018.

Vincent, J. Keith. “The Genealogy of Japanese Immaturity.” In Nihon-teki sozoryoku no mirai: Kuru japonorojii no kanosei [The Future of the Japanese Imagination: The Potential of Cool Japanology], edited by Hiroki Azuma, 15–46. Tokyo: NHK Books, 2010.

Wentworth, Rob. “Computer Virus!Up All Night Robotics, July 1996.

Winny Developer Kaneko Dies at 42.” The Japan Times Online, July 8, 2013.

Yoda, Tomiko. “The Rise and Fall of Maternal Society: Gender, Labor, and Capital in Contemporary Japan.” In Japan After Japan: Social and Cultural Life from the Recessionary 1990s to the Present, edited by Tomiko Yoda and Harry Harootunian, 239–74. Durham: Duke University Press Books, 2006.

Young, A., and Moti Yung. “Cryptovirology: Extortion-Based Security Threats and Countermeasures.” In Proceedings 1996 IEEE Symposium on Security and Privacy, 129–40. Oakland, CA, USA: IEEE Comput. Soc. Press, 1996.


IT GIRL


METAMORPHOSIS

Bishop, Claire. Installation Art. London: Tate, 2010.

Galbraith, Patrick W. “Introduction: Falling In Love With Japanese Characters.” In The Moe Manifesto: An Insider’s Look at the Worlds of Manga, Anime, and Gaming, 4–23. North Clarendon, VT: Tuttle Publishing, 2014.

Groys, Boris. Ilya Kabakov: The Man Who Flew into Space from His Apartment. London: Afterall Books, 2006.

Harootunian, Harry. “Japan’s Long Postwar: The Trick of Memory and the Ruse of History.” In Japan After Japan: Social and Cultural Life from the Recessionary 1990s to the Present, edited by Tomiko Yoda and Harry Harootunian, 98–121. Durham: Duke University Press Books, 2006.

Ivy, Marilyn. Discourses of the Vanishing: Modernity, Phantasm, Japan. Chicago: University of Chicago Press, 1995.

Iwamoto, Masakatsu, and Galerie Perrotin. “People Misunderstand Me and the Contents of My Paintings. They Just Think They Are Nostalgic, Cute, and Look like Japanese Anime. That May Be True, but Really, I Paint Daily in Order to Escape the Devil That Haunts My Soul. The Said Devil Also Resides in My Blood, and I Cannot Escape from It No Matter How I Wish. So I Paint in Resignation.” Perrotin, 2018.

Jameson, Fredric. The Seeds of Time. New York: Columbia University Press, 1996.

Manga Café.” Only in Japan. Accessed September 27, 2018.

Mr. I eat curry one day and fish another. Interview by Melissa Chiu. Book section of “Mr.,” 2011.

Mr. - Metamorphosis: Give Me Your Wings.” Lehmann Maupin, September 13, 2012.

Mr. - Sunset in My Heart.” Lehmann Maupin, June 23, 2016.

Mr. Metamorphosis: Give Me Your Wings. LM Artist Video Series. New York: Ra/oR Media, 2012.

Net Cafe Refugee.” In Wikipedia, May 23, 2018.

Rawling, Ashley. “An Introduction to ‘Mono-Ha,’” September 8, 2007.

Scheifele, Kris. “The Financial Crisis and Other Natural Disasters, A Tour in Three Parts.” Hyperallergic, September 20, 2012.

Stamler, Hannah. “Murakami Protégé Mr. Invites You into the Dark Depths of Neo-Pop.” The Creators Project, February 23, 2015.

Wagenaar, Wester. “Wacky Japan: : A New Face of Orientalism.” Asia in Focus: A Nordic Journal on Asia by Early Career Researchers, no. 3 (2016): 46–54.

Wilson, Michael. “Mr., ‘Sunset in My Heart.’” Time Out New York, May 18, 2016.

Yaeger, Patricia. “Editor’s Column: The Death of Nature and the Apotheosis of Trash; or, Rubbish Ecology.” PMLA 123, no. 2 (March 1, 2008): 321–39.


NOTHING THAT'S REALLY THERE

About HATSUNE MIKU.” Crypton Future Media. Accessed July 7, 2016.

Akita Neru.” In Vocaloid Wiki. Accessed March 3, 2019.

Annett, Sandra. “What Can a Vocaloid Do? The Kyara as Body without Organs.” In Mechademia 10: World Renewal, edited by Frenchy Lunning. University of Minnesota Press, 2015.

Azuma, Hiroki. Otaku: Japan’s Database Animals. Translated by Jonathan E. Abel and Shion Kono. Minneapolis: University of Minnesota Press, 2009.

Barrett, Estelle, and Barbara Bolt, eds. Carnal Knowledge: Towards a “New Materialism” through the Arts. London; New York: I.B.Tauris, 2013.

Baseel, Casey. “Amazing Lego Artist Spends Six Months Bringing Hatsune Miku into the Physical World.” SoraNews24, April 16, 2014.

Best Miku Minecraft Maps & Projects.” Planet Minecraft. Accessed June 9, 2019.

Black★Rock Shooter.” Vocaloid Wiki. Accessed July 17, 2017.

Brown, Steven D. “Michel Serres: The Angelology of Knowledge.” The Sociological Review 48, no. 1 (February 1, 2000): 147–63. https://doi.org/10.1111/1467-954X.00207.

Bruns, Axel. Blogs, Wikipedia, Second Life, and Beyond: From Production to Produsage. New York: Peter Lang Publishing Inc., 2008.

Calne Ca.” In Vocaloid Wiki. Accessed March 3, 2019.

Conner, Thomas. “Hatsune Miku, 2.0Pac, and Beyond.” The Oxford Handbook of Music and Virtuality, March 1, 2016.

Conner, Thomas H. “Rei Toei Lives!: Hatsune Miku and the Design of the Virtual Pop Star.” University of Illinois at Chicago, 2014.

Derivative.” Vocaloid Wiki. Accessed July 17, 2017.

Ehrlich, David. “From Kewpies to Minions: A Brief History of Pop Culture Cuteness.” Rolling Stone, July 21, 2015.

ENGLISH | Supercell Official Web.” Accessed June 9, 2019.

Frost, Samantha. “The Implications of the New Materialisms for Feminist Epistemology.” In Feminist Epistemology and Philosophy of Science: Power in Knowledge, edited by Heidi E. Grasswick, 69–83. Dordrecht: Springer Netherlands, 2011.

Galbraith, Patrick W. The Moe Manifesto: An Insider’s Look at the Worlds of Manga, Anime, and Gaming. Singapore: Tuttle Publishing, 2014.

Guga, Jelena. “Virtual Idol Hatsune Miku.” In Arts and Technology, edited by Anthony Lewis Brooks, Elif Ayiter, and Onur Yazicigil, 36–44. Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering 145. Springer International Publishing, 2014.

Hamasaki, Mashiro, Hideaki Takeda, and Takuishi Nishimura. “Analysis of Massively Collaborative Creation on Multimedia Contents: Case Study of Hatsune Miku Videos on Nico Nico Douga.” UXTV ’08 Proceedings of the 1st International Conference on Designing Interactive User Experiences for TV and Video, ACM International Conference Proceeding Series, 2008, 165–68.

Hatsune Miku.” In Wikipedia, May 28, 2019.

Hatsune Miku.” In Vocaloid Wiki. Accessed March 3, 2019.

Hatsune Miku: Project DIVA.” In Wikipedia, March 19, 2019.

Heidegger, Martin. The Question Concerning Technology, and Other Essays. New York: Harper & Row, 1977.

House, Brian. “Machine Listening: WaveNet, Media Materialism, and Rhythmanalysis.” APRJA - A Peer Review Journal About Machine Research (2017).

Jackson, Louise H., and Mike Dines. “Vocaloids and Japanese Virtual Vocal Performance: The Cultural Heritage and Technological Futures of Vocal Puppetry.” In The Oxford Handbook of Music and Virtuality, edited by Sheila Whiteley and Shara Rambarran, 101–10. New York City: Oxford University Press, 2016.

Jenkins, Henry, Sam Ford, and Joshua Green. Spreadable Media: Creating Value and Meaning in a Networked Culture. New York; London: NYU Press, 2013.

Jiji. “Music Educators Tapping Vocaloid.” The Japan Times Online, April 1, 2014, sec. National.

Jones, Charlie Robin. “Crowd-Sourced Stardom: Mari Matsutoya and Hatsune Miku.” ssense, September 14, 2017.

Jørgensen, Stina Marie Hasse, Sabrina Vitting-Seerup, and Katrine Wallevik. “Hatsune Miku: An Uncertain Image.” Digital Creativity 28, no. 4 (October 2, 2017): 318–31.

KAITO.” In Vocaloid Wiki. Accessed March 3, 2019.

KARENT:The World’s Largest VOCALOID Record Label.” KARENT. Accessed June 9, 2019.

Karppi, Tero, Lotta Kähkönen, Mona Mannevuo, Mari Pajala, and Tanja Sihvonen. “Affective Capitalism: Investments and Investigations.” Ephemera: Theory & Politics in Organization volume 16, no. 4 (November 2016): 1–13.

Knight, Tara. “Mikumentary.” taraknight.net, 2012.

Kurikka, Kaisa. “In The Name of The Author: Towards Materialist Understanding of Literary Authorship.” In Carnal Knowledge: Towards a “New Materialism” through the Arts, edited by Estelle Barrett and Barbara Bolt, 115–26. London; New York: I.B.Tauris, 2013.

Lasén, Amparo. “Affective Technologies. Emotions and Mobile Phones.” Receiver 11. Accessed June 3, 2019.

Le, Linh K. “Examining the Rise of Hatsune  Miku: The First International  Virtual Idol.” UCI Undergraduate Research Journal XVI (2013).

Leavitt, Alex, Tara Knight, and Alex Yoshiba. “Producing Hatsune Miku: Concerts, Commercialization and the Politics of Peer Production.” In Media Convergence in Japan, 200–229. Kinema Club, 2016.

Leekspin / Loituma Girl.” Know Your Meme. Accessed June 9, 2019.

LEON.” Vocaloid Wiki. Accessed June 9, 2019.

LOLA.” Vocaloid Wiki. Accessed June 9, 2019.

MEIKO.” In Vocaloid Wiki. Accessed March 3, 2019.

MIRIAM.” In Vocaloid Wiki. Accessed July 7, 2016.

Morton, Timothy. Hyperobjects: Philosophy and Ecology after the End of the World. Minneapolis London: University of Minnesota Press, 2013.

Moskowitz, Clara. “The Destructive Culture of Pretty Pink Princesses.” LiveScience, January 24, 2011.

Muecke, Stephen. “Global Warming and Other Hyperobjects.” Los Angeles Review of Books, February 20, 2014.

N6TJA. “What’s up with People Saying Hatsune Miku Created Minecraft? [Discussion].” Reddit, May 19, 2019.

Oppenneer, Mark. “Seeking Hatsune Miku.” Seeking Hatsune Miku, 2011.

Parikka, Jussi. New Ma­te­ri­al­ism and Non-Humanisation: Jus­si Parik­ka inteviewed by Michael Di­eter. Interview by Michael Dieter. Book section of Speculative Realities (BLOWUP READER 6), 23-36, January 2013.

———. “New Materialism as Media Theory: Medianatures and Dirty Matter.” Communication and Critical/Cultural Studies 9, no. 1 (March 2012): 95–100.

Pellitteri, Marco. The Dragon and the Dazzle: Models, Strategies, and Identities of Japanese Imagination: A European Perspective. John Libbey Publishing, 2011.

Piapro (Piapro).” Accessed June 9, 2019.

Piapro Studio.” Vocaloid Wiki. Accessed July 17, 2017.

Robson, Daniel. “Supercell’s Synthetic Pop Wins Real Fans.” The Japan Times, February 5, 2010, Online edition, sec. Music.

Shiteyan’yo.” Fanloid Wiki. Accessed June 19, 2019.

Sone, Yuji. Japanese Robot Culture: Performance, Imagination, and Modernity. New York, NY: Palgrave Macmillan, 2016.

Steinberg, Marc. Anime’s Media Mix: Franchising Toys and Characters in Japan. Minneapolis: University of Minnesota Press, 2012.

Stephens, Alexis. “I’m Every Woman: Hatsune Miku, Beyoncé and Digital Girl Power.” MTV Iggy (blog), January 14, 2014.

Still Be Here.” CTM Festival – Festival for Adventurous Music and Art, February 6, 2016.

Supercell (Band).” In Wikipedia, May 14, 2019.

Toto, Serkan. “Video Comments The Japanese Way (Nico Nico Douga).” TechCrunch, July 22, 2008.

Tsaliki, Liza. “Women and New Technologies.” In The Routledge Companion to Feminism and Postfeminism, edited by Sarah Gamble, 65–74. London: Routledge, 2002.

What Is Vocaloid?VOCALOID×niconico -ボカニコ-. Accessed July 17, 2017.

Woods, Derek. “Scale Critique for the Anthropocene.” Minnesota Review 83, no. 1 (2014): 133–42.

Yonezu, Kenshi, and ryo. Kenshi Yonezu/Hachi & supercell/ryo Interview: Miku’s 10th. Online [vgperson]. Translated by Natalie.mu, August 10, 2017.

Zaborowski, Rafal. “Fans Negotiating Performer Personas: ‘Melt’ by Ryo Feat. Hatsune Miku.” Suomen Antropologi: Journal of the Finnish Anthropological Society 43, no. 2 (2018): 104–8.

———. “Hatsune Miku and Japanese Virtual Idols.” In The Oxford Handbook of Music and Virtuality, edited by Sheila Whiteley and Shara Rambarran, 111–28. New York City: Oxford University Press, 2016.

Zushi, Yo. “Crowd-Sourced Pop Singer Hatsune Miku Reveals the True Nature of Stardom.” NewStatesman, March 20, 2017.


PARADOG

Azuma, Hiroki. “Anime or Something Like It: Neon Genesis Evangelion.” InterCommunication, 1996.

———. Otaku: Japan’s Database Animals. Translated by Jonathan E. Abel and Shion Kono. Minneapolis: University of Minnesota Press, 2009.

Barad, Karen. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press Books, 2007.

Clark, Timothy. “Telemorphosis: Theory in the Era of Climate Change, Vol. 1.” Edited by Tom Cohen. Critical Climate Change, 2012.

Compton, Nick. “Collecting Memories: Shinro Ohtake Debuts His First UK Solo Multimedia Show at Parasol Unit.” Wallpaper*, October 14, 2014.

Crash-Into Hello.” TV Tropes. Accessed August 3, 2019.

Fisher, Mark. The Weird and the Eerie. London: Repeater, 2017.

Gen Urobuchi (Creator).” TV Tropes. Accessed July 11, 2017.

Isaacs, Walter F. “Time and the Fourth Dimension in Painting.” College Art Journal 2, no. 1 (1942): 2–7.

Kaworu Nagisa.” In Wikipedia, January 10, 2014.

Krauss, Rosalind E., and Yve-Alain Bois. Formless: A User’s Guide by Yve-Alain Bois. New York: Zone Books, 1997.

Lacan, Jacques. Ecrits: The First Complete Edition in English. Translated by Bruce Fink. New York: W. W. Norton & Company, 2007.

Lamarre, Thomas. “Introduction.” In Mechademia 6: User Enhanced, edited by Frenchy Lunning, ix–xvi. Minneapolis, Minn.: University of Minnesota Press, 2011.

Mijolla-Mellor, Sophie de. “Alienation.” In International Dictionary of Psychoanalysis, edited by Alain de Mijolla, 43–45. Detroit: Macmillan Library Reference, 2004.

Mousoutzanis, Aris. “Apocalyptic SF.” In The Routledge Companion to Science Fiction, edited by Mark Bould, Andrew Butler, Adam Roberts, and Sherryl Vint, 458–62. London; New York: Routledge, 2009.

Neon Genesis Evangelion: Ayanami Raising Project.” In Wikipedia, February 27, 2013.

Neon Genesis Evangelion: Shinji Ikari Raising Project.” In Wikipedia, February 1, 2017.

Steinberg, Marc. Anime’s Media Mix: Franchising Toys and Characters in Japan. Minneapolis: University of Minnesota Press, 2012.

Toast of Tardiness.” TV Tropes. Accessed August 3, 2019.

Woods, Derek. “Scale Critique for the Anthropocene.” Minnesota Review 83, no. 1 (2014): 133–42.


PASTEL TURN

Agejo.” In Gyaru Wiki. Accessed March 19, 2019.

Amy. “The Yamikawaii World Of Ezaki Bisuko ♡ Menhera-chan.” Lafary (blog), December 4, 2018.

Ashcraft, Brian. “Japan’s Next Big Trend Could Be ‘Neo Gals.’” Kotaku, May 6, 2014.

Bain, Marc. “Japan’s Wild, Creative Harajuku Street Style Is Dead. Long Live Uniqlo.” Quartz (blog), February 22, 2017.

Clarke, Ashley. “​Genderless Kei: Harajuku’s Online Fashion Revival.” i-D, February 23, 2016.

———. “​The Tokyo Shop Workers Shaping the Future of Japanese Fashion.” I-D, August 30, 2016.

———. “What the Closure of Fruits Magazine Means for Japanese Street Style.” I-D, February 6, 2017.

Dale, Joshua Paul, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, eds. The Aesthetics and Affects of Cuteness. New York: Routledge, 2016.

DeFabio, Cara Rose. “Why Teens around the World Are Freaking out about Thai Slime.” Splinter. Accessed June 15, 2019.

Dimock, Michael. “Where Millennials End and Generation Z Begins.” Pew Research Center, January 17, 2019.

Ehrlich, David. “From Kewpies to Minions: A Brief History of Pop Culture Cuteness.” Rolling Stone, July 21, 2015.

Fisher, Mark. “What Is Hauntology?Film Quarterly 66, no. 1 (2012): 16–24.

Himegyaru.” In Gyaru Wiki. Accessed March 19, 2019.

Hunt, Elle. “Global Slime Craze Sparks Safety Warnings after Borax Blamed for Burns.” The Guardian, May 1, 2017, Online edition, sec. Health.

Hyland, Véronique. “Is There Some Reason Millennial Women Love This Color?” The Cut, August 2, 2016.

i-D. I-D Meets: Tokyo’s Genderless Youth, 2017.

Ivy, Marilyn. Discourses of the Vanishing: Modernity, Phantasm, Japan. Chicago: University of Chicago Press, 1995.

Jasper, Marykate. “Millennials Are America’s Queerest, Least Binary Generation Yet.” The Mary Sue, April 1, 2017.

Kellie, Miss. “Guide to Mori Kei {Forest Girl Style}.” Dear Miss Kellie, (blog), November 22, 2013.

Kirsten. “What Is Dolly Kei?Strange Girl, December 14, 2010.

Kok-Jensen, Pernille, and Els Dragt. Always Be Yourself. Unless You Can Be a Unicorn, Then Always Be a Unicorn: A Snapshot of the Weird and Wonderful World of the Tumblr Generation. Amsterdam: Bis Publishers, 2014.

Latour, Bruno. We Have Never Been Modern. Translated by Catherine Porter. Cambridge, Mass: Harvard University Press, 1993.

Marsh, Sarah. “The Boomerang Generation – and the Childhood Bedrooms They Still Inhabit.” The Guardian, March 14, 2016, sec. World news.

Marx, W. David. “Japanese Women | From Luxury to Yuru-Nachu.” The Business of Fashion, July 29, 2008.

Masahiko Kuwahara.” 19-09-2013. Artsy. Accessed May 8, 2017.

“‘Millennial Pink’ Is the Colour of Now – but What Exactly Is It?The Guardian, March 22, 2017, sec. Art and design.

Ngai, Sianne. Ugly Feelings. Harvard University Press, 2007.

Nguyen, Mai. “When Dark and Cute Meet: Yami Kawaii with Bisuko Ezaki.” Asia Pacific Arts, July 13, 2018.

Ningyomocha, Jiji. “~ Cult Party Kei ~.” POPkakumei☆, February 3, 2013.

Phro, Preston. “Where Have All the ‘gyaru’ Gone?” Japan Today, April 2, 2015.

Refinery29. The Dark Side Of Harajuku Style You Haven’t Seen Yet | Style Out There. Accessed March 18, 2019.

Reynolds, Simon. Retromania: Pop Culture’s Addiction to Its Own Past. London: Faber & Faber, 2012.

Shakespeare, William. Hamlet, Prince of Denmark. Edited by Philip Edwards. The New Cambridge Shakespeare. Cambridge, UK: Cambridge University Press, 2003.

Soft Grunge.” Urban Dictionary, October 10, 2012.

Staff in Life. “Why Is the Internet Obsessing over Slime?Highsnobiety, June 15, 2017.

Standing, Guy. The Precariat: The New Dangerous Class. London, UK ; New York, NY: Bloomsbury Academic, 2014.

Tanner, Grafton. Babbling Corpse: Vaporwave And The Commodification Of Ghosts. Winchester, UK ; Washington, USA: Zero Books, 2016.

The History of the Transgender Flag.” Point 5cc, April 23, 2015.

Tokyo Fashion. “Panic on The Streets : No, The End of FRUiTS Magazine Is Not The End of Harajuku Fashion.” Medium, March 2, 2017.

Yano, Christine R. “Flipping Kitty: Transnational Transgressions of Japanese Cute.” In Medi@sia: Global Media/Tion in and Out of Context, edited by T. J. M. Holden and Timothy J. Scrase. London: Routledge, 2006.

Yuru-Nachu.” MEKAS, July 23, 2008.

Yutaka. “Fairy Kei – The Pastel Princesses Of Japan.” WA, October 13, 2016.


POISON GIRLS

Abhorrent Admirer.” TV Tropes. Accessed June 8, 2017.

Berserk Button.” TV Tropes. Accessed June 8, 2017.

Beware the Silly Ones.” TV Tropes. Accessed June 8, 2017.

Davidov, Judith E. Fryer. Felicitous Space: The Imaginative Structures of Edith Wharton and Willa Cather. Chapel Hill, NC: The University of North Carolina Press, 1986.

Ehrlich, David. “From Kewpies to Minions: A Brief History of Pop Culture Cuteness.” Rolling Stone, July 21, 2015.

I Hope Senpai Will Notice Me.” Know Your Meme. Accessed June 17, 2019.

Iyashikei.” TV Tropes, July 10, 2011.

Janisse, Kier-La. House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films. Godalming, Surrey: Fab Press, 2012.

Marran, Christine L. Poison Woman: Figuring Female Transgression in Modern Japanese Culture.Minneapolis: University of Minnesota Press, 2007.

Morioka, Masahiro. “A Phenomenological Study of ‘Herbivore Men.’” The Review of Life Studies 4 (September 2013): 1–20.

Ngai, Sianne. Our Aesthetic Categories: Zany, Cute, Interesting. London; Cambridge, Mass.: Harvard University Press, 2012.

———. Ugly Feelings. Harvard University Press, 2007.

Senpai.” In Wiktionary. Accessed June 10, 2017.

Tanner, Grafton. Babbling Corpse: Vaporwave And The Commodification Of Ghosts. Winchester, UK ; Washington, USA: Zero Books, 2016.

Tareme Eyes.” TV Tropes, November 3, 2009.

Yandere Dev. Don’t Let Senpai Notice You!, 2015.


POPPY

Andrew Trendell. “Poppy and Collaborator Titanic Sinclair Settle Lawsuit with Mars Argo.” NME, January 8, 2019.

Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Durham: Duke University Press Books, 2010.

Brooke, Eliza. “Parsing the Aesthetics of That Poppy, Pop Singer and Internet Enigma.” Racked, April 11, 2016.

Dimock, Michael. “Where Millennials End and Generation Z Begins.” Pew Research Center, January 17, 2019.

FBE. KIDS REACT TO POPPY. YouTube video. REACT, 2016.

———. KIDS REACT TO POPPY REACTS TO KIDS REACT TO POPPY, 2017.

———. POPPY REACTS TO KIDS REACT TO POPPY. Accessed March 5, 2019.

Foster, Hal. Compulsive Beauty. Reprint edition. Cambridge, Mass.: The MIT Press, 1995.

Goldhaber, Michael. “The Mentality of Homo Interneticus: Some Ongian Postulates.” First Monday 9, no. 6 (June 7, 2004).

Haff, Peter. “Humans and Technology in the Anthropocene: Six Rules.” The Anthropocene Review 1, no. 2 (August 1, 2014): 126–36.

Hey, Beauti. Official Interview with Singer That POPPY. YouTube video, 2015.

Jackson, Gita. “Pop Star YouTuber Captures The Hell That Is Being Online.” Kotaku, April 18, 2017.

Johnson, Paddy. “Finally, a Semi-Definitive Definition of Post-Internet Art.” Art F City, October 14, 2014.

Khamis, Susie, Lawrence Ang, and Raymond Welling. “Self-Branding, ‘Micro-Celebrity’ and the Rise of Social Media Influencers.” Celebrity Studies 8, no. 2 (April 3, 2017): 191–208.

Michel, Patrick ST. “The Queen of Kawaii: Kyary Pamyu Pamyu Reflects on Her Reign.” The Japan Times, November 15, 2018.

Milian, Mark. “Apple Triggers ‘religious’ Reaction in Fans’ Brains, Report Says.” Digital Biz, May 19, 2011.

Milton, Molly. “Homo Interneticus?” 16:9 HDTV 1080i. The Virtual Revolution. BBC, February 20, 2010.

Ngai, Sianne. Ugly Feelings. Harvard University Press, 2007.

Perthuis, Karen de, and Rosie Findlay. “How Fashion Travels: The Fashionable Ideal in the Age of Instagram.” Fashion Theory 0, no. 0 (February 14, 2019): 1–24.

Poppy. She Is Lying! Accessed June 16, 2019.

Raining. Is Poppy Acting? Interview with Poppy & Titanic. YouTube video, 2017.

Slack, Jennifer Daryl, and J. Macgregor Wise. Culture and Technology: A Primer. New York: Peter Lang Inc., International Academic Publishers, 2014.

Stylus Pub LLC, and UNAIDS. UNAIDS Outlook Report July 2010. World Health Organization, 2010.

Warner, Helen. “Fashion and Celebrity Culture, by Pamela Church Gibson.” Celebrity Studies 4, no. 2 (July 1, 2013): 258–60.


RED TOAD TUMBLR POST

But Our Princess Is in Another Castle!Know Your Meme. Accessed May 1, 2018.

Cross, Gary. The Cute and the Cool: Wondrous Innocence and Modern American Children’s Culture. 1 edition. Oxford ; New York: Oxford University Press, 2004.

Hayes, Matthew. “Nintendo Confirms That Toad’s Hat Is Actually His Head, and the Internet Loses It.” WWG, February 5, 2018.

Hjorth, Larissa. “Odours of Mobility: Mobile Phones and Japanese Cute Culture in the Asia-Pacific.” Journal of Intercultural Studies 26, no. 1–2 (February 1, 2005): 39–55.

House, Brian. “Machine Listening: WaveNet, Media Materialism, and Rhythmanalysis.” APRJA - A Peer Review Journal About Machine Research (2017).

Identical-Looking Asians.” TV Tropes. Accessed May 3, 2018.

Interchangeable Asian Cultures.” TV Tropes. Accessed May 3, 2018.

Lamarre, Thomas. “Introduction.” In Mechademia 6: User Enhanced, edited by Frenchy Lunning, ix–xvi. Minneapolis, Minn.: University of Minnesota Press, 2011.

Mistaken Nationality.” TV Tropes. Accessed May 3, 2018.

Ngai, Sianne. Ugly Feelings. Harvard University Press, 2007.

Nield, David. “What Does It Mean to Reblog on Tumblr?” Accessed September 27, 2018.

Parikka, Jussi. “New Materialism as Media Theory: Medianatures and Dirty Matter.” Communication and Critical/Cultural Studies 9, no. 1 (March 2012): 95–100.

Sharp, Kristen. “Superflatworlds : A Topography of Takashi Murakami and the Cultures of Superflat Art,” 2006.

Toad (Character).” Nintendo Wiki. Accessed May 2, 2018.

Wales, Matt. “Nintendo Finally Confirms the Truth about Toad’s Head.” Eurogamer (blog), February 5, 2018.

Yano, Christine R. Pink Globalization: Hello Kitty’s Trek across the Pacific. Durham, North Carolina: Duke University Press, 2013.


SHE'S NOT YOUR WAIFU, SHE'S AN ELDRITCH ABOMINATION

Affron, Charles. “Identifications.” In Imitations of Life: A Reader on Film & Television Melodrama, UK ed. edition., 98–117. Detroit: Wayne State University Press, 1991.

Anime, Japanese with. “Types of Moe + Attributes, Relationships & Situations.” Japanese with Anime (blog). Accessed April 27, 2018.

Asceai. “Subarashiki Hibi ~Furenzoku Sonzai~.” 嗚呼、素晴らしきエロゲー世界 (blog), April 12, 2010.

Azuma, Hiroki. Otaku: Japan’s Database Animals. Translated by Jonathan E. Abel and Shion Kono. Minneapolis: University of Minnesota Press, 2009.

Berlant, Lauren, and Lee Edelman. Sex, or the Unbearable. Durham: Duke University Press, 2013.

Bernini, Lorenzo. Queer Apocalypses: Elements of Antisocial Theory. Translated by Julia Heim. Palgrave Macmillan, 2016.

Bersani, Leo. Homos. Cambridge, Mass.: Harvard University Press, 1996.

Bray, Abigail. “Merciless Doctrines: Child Pornography, Censorship, and Late Capitalism.” Signs 37, no. 1 (2011): 133–58.

Clark, Naomi. “What Is Queerness in Games, Anyways?” In Queer Game Studies, edited by Bonnie Ruberg and Adrienne Shaw, 3–14. Minneapolis: University of Minnesota Press, 2017.

Edelman, Lee. No Future: Queer Theory and the Death Drive. Durham: Duke University Press Books, 2004.

Eisenbeis, Richard. “All You Need Is a Single Choice to Make a Novel into a Game.” Kotaku, April 24, 2014.

———. “Saya No Uta — The Song of Saya: The Kotaku Review.” Kotaku, May 21, 2013.

Friedberg, Anne. The Virtual Window: From Alberti to Microsoft. Cambridge, Mass.: The MIT Press, 2009.

Galbraith, Patrick W. “Introduction: Falling In Love With Japanese Characters.” In The Moe Manifesto: An Insider’s Look at the Worlds of Manga, Anime, and Gaming, Paperback with Flaps edition., 4–23. North Clarendon, VT: Tuttle Publishing, 2014.

Giffney, Noreen, and Myra J. Hird. Queering the Non/Human. Ashgate Publishing, Ltd., 2008.

Harrington, Erin. Women, Monstrosity and Horror Film: Gynaehorror. Abingdon, Oxon; New York: Routledge, 2017.

Ho Kim, Kiu. “Kakyuusei - Background.” Kakyuusei, 2002.

Hunicke, Robin, Marc Leblanc, and Robert Zubek. “MDA: A Formal Approach to Game Design and Game Research.” In Challenges in Games AI Workshop. San Jose: The AAAI Press, 2004.

Jung, C. G. Aspects of the Masculine. Routledge, 2015.

Khandaker-Kokori, Mitu. “NPCs Need Love Too: Simulating Love and Romance, from a Game Design Perspective.” In Game Love: Essays on Play and Affection, edited by Jessica Enevold and Esther MacCallum-Stewart, 82–95. Jefferson, North Carolina: McFarland, 2015.

Kolnai, Aurel. On Disgust. Edited by Barry Smith and Carolyn Korsmeyer. New edition edition. Chicago: Open Court, 2003.

Melendez, Franklin. “Video Pornography, Visual Pleasure, and the Return of the Sublime.” In Porn Studies, edited by Linda Williams, First Edition., 401–28. Durham: Duke University Press Books, 2004.

Moral Event Horizon.” TV Tropes. Accessed July 3, 2018.

Mui, Alex. “The Visual Novel Medium Proves Its Worth on the Battlefield of Narrative Arts.” The Johns Hopkins News-Letter (blog), October 16, 2011.

Nyong’o, Tavia. “Do You Want Queer Theory (or Do You Want the Truth)? Intersections of Punk and Queer in the 1970s.” In The Routledge Queer Studies Reader, edited by Donald E. Hall and Annamarie Jagose, 223–35. London: Routledge, 2012.

One True End.” The Visual Novel Database, 2019.

Parikka, Jussi. “New Materialism as Media Theory: Medianatures and Dirty Matter.” Communication and Critical/Cultural Studies 9, no. 1 (March 2012): 95–100.

Paul, Christiane. “The Myth of Immateriality - Presenting New Media Art.” Technoetic Arts 10 (December 1, 2012): 167–72.

Phillips, Amanda, and Bonnie Ruberg. “Not Gay as in Happy: Queer Resistance and Video Games (Introduction).” Game Studies 18, no. 3 (December 2018).

Reisner, Gavriel. “Revisioning the Death-Drive: The Compulsion to Repeat as a Death-in-Life.” Psychoanalytic Review 101, no. 1 (February 2014): 39–69. https://doi.org/10.1521/prev.2014.101.1.39.

Ruberg, Bonnie. “No Fun: The Queer Potential of Video Games That Annoy, Anger, Disappoint, Sadden, and Hurt.” QED: A Journal in GLBTQ Worldmaking 2, no. 2 (July 2, 2015): 108–24.

———. “Queer Game Studies 101: An Introduction to the Field + Bibliography.” Our Glass Lake (blog), 2016.

Ruberg, Bonnie, and Adrienne Shaw, eds. Queer Game Studies. Minneapolis: Univ Of Minnesota Press, 2017.

Santos, Carlos. “To Heart DVD 3.” Anime News Network, November 2, 2007.

Sherry, Mark. “Overlaps and Contradictions between Queer Theory and Disability Studies.” Disability & Society 19, no. 7 (December 1, 2004): 769–83.

Szczepaniak, John, and Kobushi. “Retro Japanese Computers: Gaming’s Final Frontier.” Hardcore Gaming 101, October 16, 2010.

Thompson, Jason. “Moe: The Cult of the Child.” Comixology, July 9, 2009.

Thorn, Clarisse, and Julian Dibbell, eds. Violation: Rape In Gaming. Lexington, KY: CreateSpace Independent Publishing Platform, 2012.

Todome, Satoshi. “A History of Eroge.” Translated by kj1980. archive.is, n.d.

Utsuge.” The Visual Novel Database. Accessed July 12, 2017.

Vincent, J. Keith. “Making It Real: Ficiton, Desire, and the Queerness of the Beautiful Fighting Girl.” In Beautiful Fighting Girl. Minneapolis: University of Minnesota Press, 2011.

Waifu.” In Wiktionary. Accessed June 7, 2017.

Wolf, Mark J. P., and Bernard Perron, eds. The Routledge Companion to Video Game Studies. New York London: Routledge, 2016.


ZOMBIEFLAT

Adorno, Theodor W. Aesthetic Theory. London: Berg Pub Ltd, 2013.

Aida Makoto: Monument For Nothing - Press Release Vol. 2.” Mori Art Museum, September 27, 2012.

Arkenberg, Megan. “Cuteness and Control in Portal.” In The Aesthetics and Affects of Cuteness, edited by Joshua Paul Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra, 56–74. New York: Routledge, 2016.

Artists Paints - Is Oil or Acrylic Friendlier to Environment?” Consumer Action, May 23, 2010.

Ashcraft, Brian. “Being an Animator in Japan Is Brutal.” Kotaku, September 3, 2015.

Aya Takano ‘The Jelly Civilization Chronicle.’” Galerie Perrotin, March 16, 2017.

Azuma, Hiroki. Otaku: Japan’s Database Animals. Translated by Jonathan E. Abel and Shion Kono. Minneapolis: University of Minnesota Press, 2009.

Butler, Sharon L. “ABSTRACT PAINTING: The New Casualists.” The Brooklyn Rail, June 3, 2011.

Darwent, Charles. “IoS Visual Art Review: Mariko Mori: Rebirth, Royal Academy, London.” The Independent, December 16, 2012.

Davis, Ben. “Takashi Murakami Enters His Skull Period.” Artnet News (blog), November 13, 2014.

De Marchi, Neil, and Hans J. Van Miegroet. “The History of Art Markets.” In Handbook of the Economics of Art and Culture, edited by Victor A. Ginsburg and David Throsby, 1:69–122. Elsevier, 2006.

Emakimono | Asia Society.” Accessed September 25, 2018.

Farago, Jason. “Is Painting Dead?” BBC, February 18, 2015.

———. “Takashi Murakami Review: A Welcome Return to a More Disturbing Style.” The Guardian, November 11, 2014, sec. Art and design.

Favell, Adrian. Before and after Superflat: A Short History of Japanese Contemporary Art, 1990-2011. Hong Kong: Blue Kingfisher, 2011.

Goldstein, Andrew M. “I Survived the Zombie Formalism Apocalypse: The Hard-Won Lessons of London Dealer Rod Barton.” Artspace, February 12, 2016.

Graves, Jen. “Big Screen, Big Scream.” The Stranger, July 1, 2015.

Halle, Howard. “Takashi Murakami, ‘In the Land of the Dead, Stepping on the Tail of a Rainbow.’” Time Out New York, December 19, 2014.

Huyssen, Andreas. “High/Low in an Expanded Field.” Modernism/Modernity 9, no. 3 (September 1, 2002): 363–74.

Ivy, Marilyn. Discourses of the Vanishing: Modernity, Phantasm, Japan. Chicago: University Of Chicago Press, 1995.

Kaikai Kiki. “Chiho Aoshima Solo Exhibition: Rebirth of the World.” Kaikai Kiki Gallery (blog), 2016.

Kolnai, Aurel. On Disgust. Edited by Barry Smith and Carolyn Korsmeyer. Chicago: Open Court, 2003.

Lee, Andrew. “Takashi Murakami: A Reluctant Homecoming.” The Japan Times, 2016.

Leigh, Elizabeth. “Superflat Artist Aya Takano’s Sea Change, Post-Tsunami.” BlouinArtinfo, November 29, 2012.

Lubbock, Tom. “The Triumph of Painting? That’s a Pretty Rich Claim.” The Independent, January 25, 2005.

Miller, Michael H. “It Came From Outer Space! Mariko Mori Comes Back Down to Earth.” Observer (blog), November 16, 2011.

Möllenhoff, Therese. Murakami by Murakami or “exhibitions within the exhibition” at Oslo’s Astrup Fearnley Museet. Interview by Arterritory, February 24, 2017.

Murakami, Takashi. “All my works are made up of special effects.” Interview by Philippe Dagen. Book section of Murakami Versailles (Paris: Editions Xavier Barral), 2011.

———. Takashi Murakami on Making Art After the Tsunami. Interview by Jay Caspian Kang. Newspaper article from The New York Times Magazine, December 5, 2014.

Nara, Yoshitomo. Q&A: Yoshitomo Nara Seeks Lasting Art After Japan’s Tsunami. Interview by Wei Gu, May 13, 2015.

Pocaro, Alan. “Provisional Painting, Three Hypotheses.” Abstract Critical (blog), February 18, 2014.

Rebirth: Recent Work by Mariko Mori - Press Release.” Streaming Museum, September 11, 2013.

Robinson, Walter. “Flipping and the Rise of Zombie Formalism.” Artspace, April 3, 2014.

Rubinstein, Raphael. “Provisional Painting.” Art in America (blog), May 1, 2009.

Sharp, Kristen. “Superflatworlds : A Topography of Takashi Murakami and the Cultures of Superflat Art,” 2006.

Tanke, Joseph J. “What Is the Aesthetic Regime?” Parrhesia, no. 12 (2011): 71–81.

Thornton, Sarah. Seven Days in the Art World. New York; London: W. W. Norton & Company, 2009.

Voynovskaya, Nastia. “On View: Yoshitomo Nara’s ‘Stars’ at Pace Gallery.” Hi-Fructose Magazine (blog), April 3, 2015.

Yee, Jonathan, and Eileen Kinsella. “Why Collectors Love Takashi Murakami, Part 2.” artnet News, November 14, 2014.

Yoshitomo Nara ‘Stars.’” Pace Gallery, February 5, 2015.